Q & A: Svetlana Aksenova on Contemporary Opera and the Psychological Depth of Her Characters

日本語要約

サンクトペテルブルク出身のソプラノ歌手、スヴェトラーナ・アクショーノヴァの芸術的軌跡を辿るインタビュー記事。彼女は卓越した歌唱力と真実味のある演技で知られ、ドミトリー・チェルニアコフやクリストフ・ロイといった先鋭的な演出家との深いコラボレーションで高く評価されています。チャイコフスキーの『イオランタ』で注目を集めて以来、スカラ座やメトロポリタン・オペラなど世界の主要舞台で活躍。本稿では、現在マドリードで出演中のスメタナ『売られた花嫁』を機に、現代オペラにおける役柄の心理的アプローチについて語ります。

全文（日本語）

原文（抜粋）

Svetlana Aksenova is a name that, in today’s operatic world, has become synonymous with a rare synthesis of flawless vocal command and confessional dramatic truth. A soprano from St. Petersburg, she trained at the Rimsky-Korsakov Conservatory, where she first drew critical attention as a student with her performance of Tchaikovsky’s “Iolanta.” Aksenova belongs to that select category of artists often described as “muses of demiurge-directors.” Her career is not merely a list of major stages—from La Scala to the Metropolitan Opera—but a sustained history of deep artistic collaboration with some of the most visionary theatre-makers of our time. Her international recognition is inseparable from her work with Dmitri Tcherniakov. As a central figure in his productions, she has …

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