Sylvia McNair: Why we put up with John Eliot Gardiner

日本語要約

ソプラノ歌手シルヴィア・マクネアーがポッドキャストで指揮者ジョン・エリオット・ガーディナーとの共演体験について率直に語った。彼女の初の国際的録音となったモーツァルトの「ハ短調大ミサ曲」に触れ、彼の要求や態度の難しさと、深い敬意を集める音楽的成果について振り返っている。

全文（日本語）

原文（抜粋）

Emerson Eads, Director Of Choral Studies at Southern Illinois University, has a fine podcast with gists of distinction. His latest is the distinguished soprano Sylvia McNair, who speaks candidly about her experiences working with John Eliot Gardiner, particularly on Mozart’s Great Mass in C minor, which was her first international recording. She recalls his impossible expectations, the absence of compliments or collaboration and the paradox of working with a conductor whose personal manner could be so difficult, yet whose musical results inspired such profound respect that artists were willing to endure it. ‘I heard detail in music like I had never heard before,’ she says. ‘But there was plenyy of bitching at dinner afterwards.’ The serious part starts j

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