Monteverdi-Chor Hamburg 2026 Review: Mozart’s ‘Coronation Mass’

日本語要約

アントニウス・アダムスケ指揮、モンテヴェルディ合唱団ハンブルクとラウテン・コンパニーによるモーツァルト作品の演奏会評。宗教音楽と世俗音楽の境界が曖昧だった18世紀の文脈を紐解きつつ、モーツァルトの『ヴェニ・サンクテ・スピリトゥス』における透明感のあるアンサンブルと、合唱団の明瞭なアーティキュレーションを高く評価している。古楽アンサンブルの鮮やかな響きと、合唱の規律ある表現が融合した、祝祭的で洗練された演奏会となった。

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原文（抜粋）

(Photo Credit: Claudia Höhne) To be fair, the artistic boundaries of sacred music have been giving the church a headache since the Renaissance. One only has to recall Josquin Desprez and his peers, who cheekily built entire masses around secular tunes — sometimes even seductive ones — to understand why the clergy were constantly reaching for their smelling salts. By the time the Age of Opera arrived, the temptations from outside the sacred had only grown more tempting. The late 18th century was a period where the boundaries between the celestial and the theatrical were porous — a reality probably no composer navigated with more wit than Wolfgang Amadeus Mozart. Salzburg Foundations: Clarity and Festive Brilliance This daytime Monteverdi-Chor Hamburg concert, under the baton of …

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