Sylvia McNair: Why we put up with John Eliot Gardiner - Slippedisc

日本語要約

ソプラノ歌手シルヴィア・マクネアーがポッドキャストで、指揮者ジョン・エリオット・ガーディナーとの共演、特に自身の初国際録音となったモーツァルトの「ハ短調大ミサ」について率直に語った。彼女は、不可能とも思える過度な要求や称賛・協力の欠如、個人的態度の難しさがありつつも、アーティストたちが耐え忍ぶほど深い敬意を抱かせる音楽的結果を生み出すというパラドックスを振り返っている。

全文（日本語）

原文（抜粋）

Sylvia McNair: Why we put up with John Eliot Gardiner OrchestrasEmerson Eads, Director Of Choral Studies at Southern Illinois University, has a fine podcast with gists of distinction. His latest is the distinguished soprano Sylvia McNair, who speaks candidly about her experiences working with John Eliot Gardiner, particularly on Mozart’s Great Mass in C minor, which was her first international recording. She recalls his impossible expectations, the absence of compliments or collaboration and the paradox of working with a conductor whose personal manner could be so difficult, yet whose musical results inspired such profound respect that artists were willing to endure it. ‘I heard detail in music like I had never heard before,’ she says. ‘But there was plenyy of bitching at dinner afterwards

タグ