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Furtwängler conducts Beethoven's Fifth Symphony

Beethoven; Berlin Philharmonic Orchestra, Wilhelm Furtwängler, Sami Habra
Furtwängler conducts Beethoven's Fifth Symphony
アーティストBeethoven; Berlin Philharmonic Orchestra, Wilhelm Furtwängler, Sami Habra
リリース日1998年
種別アルバム
レーベルTahra
国全世界
収録曲
  1. 1Excerpt of Symphony no. 5 movement 1 (1954): Principal theme [bar 1-5]0:16
  2. 2Excerpt of Symphony no. 5 movement 1 (1937,43,54): Entry into the Recapitulation (ff) [bar 240-252]0:57
  3. 3Excerpt of Symphony no. 5 movement 1 (1937,43,54): Ending of Recapitulation (ff) [bar 469-482]1:04
  4. 4Excerpt of Symphony no. 5 movement 1 (1937,43,54): Comparison of basic tempo [bar 6-24]1:11
  5. 5Excerpt of Symphony no. 5 movement 1 (1937,43,54): [bar 25-62]1:25
  6. 6Excerpt of Symphony no. 5 movement 1 (1937,43,54): The rush into the abyss (development) [bar 158-193]1:16
  7. 7Excerpt of Symphony no. 5 movement 1 (1937,43,54): Peak of the movement (before the final peroration) [bar 365-397]1:12
  8. 8Excerpt of Symphony no. 5 movement 1 (1937,43,54): [bar 398-455]1:53
  9. 9Excerpt of Symphony no. 5 movement 1 (1937,43,54): Second theme [bar 59-90]1:14
  10. 10Excerpt of Symphony no. 5 movement 1 (1937,43,54): Adagio solo of the oboe [bar 253-268]1:25
  11. 11Excerpt of Symphony no. 5 movement 1 (1954): Silence following last recurrence of main theme [bar 469-end]0:45
  12. 125th symphony1:14
  13. 13here is the theme 19370:32
  14. 1437-43-54: now the wonderful theme that Berlioz called "l'idée fixe" shall always be tinted with a definite lyrical shade1:44
  15. 15Here is l'idée fixe 19370:17
  16. 1637-43-54: The tutti, acutely exhibit the fundamental differences between the three performances0:53
  17. 1737-43-54: 1st fortissimo1:46
  18. 1837: lyrical, noble-43: unbearably tense-54: senza espressione1:34
  19. 1954: martellato, tempo of 3rd movement0:41
  20. 2019540:36
  21. 213rd Movement: 37-43-54 1st fortissimo1:11
  22. 222nd fortissimi 19540:31
  23. 23Fugato: 37-beautifully sustained flight-43-vehement rebellion-54-supreme grandeur1:46
  24. 244th movement 37-43-540:56
  25. 2537: young and noble conqueror-43: magnificent stride-54: Roman conqueror2:02
  26. 2637-43-54: Furt constant is crescendo which he always asks for twelve bars before the end of the development3:17
  27. 271954: The recapitulation by Furt is taken at a slightly faster tempo than the initial one.0:58
  28. 28Recurrence of Allegro / 1943: the initial Allegro1:21
  29. 2937: great pace and arch-clear melodic line-43: sheer divine madness-54: the great farewell3:05
  30. 30Symphony no. 5 in C minor, op. 67: I. Allegro con brio7:44
  31. 31Symphony no. 5 in C minor, op. 67: II. Andante con moto10:20
  32. 32Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro5:50
  33. 33Symphony no. 5 in C minor, op. 67: IV. Allegro8:08
  34. 1Symphony no. 5 in C minor, op. 67: I. Allegro con brio8:16
  35. 2Symphony no. 5 in C minor, op. 67: II. Andante con moto11:16
  36. 3Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro6:02
  37. 4Symphony no. 5 in C minor, op. 67: IV. Allegro8:22
  38. 5Symphony no. 5 in C minor, op. 67: I. Allegro con brio8:31
  39. 6Symphony no. 5 in C minor, op. 67: II. Andante con moto11:20
  40. 7Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro6:14
  41. 8Symphony no. 5 in C minor, op. 67: IV. Allegro8:48
出典: MusicBrainz / Cover Art Archive
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