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The Complete Sony Recordings

Nikolaus Harnoncourt
The Complete Sony Recordings
アーティストNikolaus Harnoncourt
リリース日2016年10月7日
種別アルバム
レーベルSony Classical
国全世界
収録曲
  1. 1“Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 1 Chorus: “Schwingt freudig euch empor”4:00
  2. 2“Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 2 Chorale (Duet): “Nun komm, der Heiden Heiland” (soprano, alto)4:49
  3. 3“Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 3 Aria: “Die Liebe zeiht mit sanften Schritten” (tenor)5:54
  4. 4“Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 4 Chorale: “Zwingt die Saiten in Cythara”1:30
  5. 5“Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 5 Aria: “Willkommen, werter Schatz!” (bass)3:24
  6. 6“Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 6 Chorale: “Der du bist dem Vater gleich” (tenor)1:57
  7. 7“Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 7 Aria: "Auch mit gedämpften, schwachen Stimmen” (soprano)7:26
  8. 8“Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 8 Chorale: “Lob sei Gott, dem Vater”0:44
  9. 9“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 1 Chorus: “Ach wie flüchtig, ach wie nichtig”3:05
  10. 10“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 2 Aria: “So schnell ein rauschend Wasser schießt” (tenor)7:02
  11. 11“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 3 Recitative: “Die Freude wird zur Traurigkeit” (alto)0:53
  12. 12“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 4 Aria: “An irdische Schätze das Herze zu hängen” (bass)3:30
  13. 13“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 5 Recitative: “Die höchste Herrlichkeit und Pracht” (soprano)0:46
  14. 14“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 6 Chorale: “Ach wie flüchtig, ach wie nichtig”0:49
  15. 1“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 1 Chorus: “Wachet auf, ruft uns die Stimme”6:56
  16. 2“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 2 Recitative: “Er kommt, er kommt” (tenor)0:59
  17. 3“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 3 Aria (Duet): “Wenn kömmst du, mein Heil?” (soprano, bass)5:52
  18. 4“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 4 Chorale: “Zion hört due Wächter singen”3:57
  19. 5“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 5 Recitative: “So geh herein zu mir” (bass)1:29
  20. 6“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 6 Aria (Duet): “Mein Freund ist mein” (soprano, bass)6:34
  21. 7“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 7 Chorale: “Gloria sei dir gesungen”1:57
  22. 8“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 1 Overture: “Nun kommt, der Heiden Heiland” (chorus)3:23
  23. 9“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 2 Recitative: “Der Heiland ist gekommen” (tenor)1:26
  24. 10“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 3 Aria: “Komm, Jesu, komm zu deiner Kirche” (tenor)3:46
  25. 11“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 4 Recitative: “Siehe, ich stehe vor der Tür” (bass)1:00
  26. 12“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 5 Aria: “Offne dich, mein ganzes Herze” (soprano)3:48
  27. 13“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 6 Chorale: “Amen, amen!”0:54
  28. 14“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 1 Sinfonia3:38
  29. 15“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 2 Chorus: “Wir danken dir, Gott, wir danken dir”2:20
  30. 16“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 3 Aria: “Halleluja, Stärk und Macht” (tenor)5:36
  31. 17“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 4 Recitative: “Gottlob! es geht uns wohl!” (baritone)0:49
  32. 18“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 5 Aria: “Gedenk an uns mit deiner Liebe” (soprano)5:15
  33. 19“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 6 Recitative: “Vergiss es ferner nicht” (alto, chorus)0:26
  34. 20“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 7 Aria: “Halleluja, Stärk und Macht” (alto)1:41
  35. 21“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 8 Chorale: “Sei Lob und Preis mit Ehren”2:02
  36. 1Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 1 Chorus: “Jauchzet, frohlocket!”7:59
  37. 2Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 2 Recitative: “Es begab sich aber zu der Zeit” (tenor)1:20
  38. 3Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 3 Arioso: “Nun wird mein liebster Bräutigam” (alto)0:48
  39. 4Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 4 Aria: “Bereite dich, Zion” (alto)5:39
  40. 5Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 5 Chorale: “Wie soll ich dich empfangen”1:11
  41. 6Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 6 Recitative: “Und sie gebar ihren ersten Sohn” (tenor)0:26
  42. 7Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 7 Chorale: “Er ist auf Erden kommen arm” / Recitative: “Wer will die Liebe recht erhöhen” (bass)3:01
  43. 8Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 8 Aria: “Großer Herr, o starker König” (bass)5:07
  44. 9Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 9 Chorale: “Ach mein herzliebes Jesulein”1:08
  45. 10Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 10 Sinfonia5:18
  46. 11Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 11 Recitative: “Und es waren Hirten in deselben Gegend” (tenor)0:37
  47. 12Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 12 Chorale: “Brich an, o schönes Morgenlicht”1:15
  48. 13Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 13 Recitative: “Und der Engel sprach zu ihnen” (tenor, soprano)0:45
  49. 14Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 14 Recitative “Was Gott dem Abraham weheißen” (bass)0:43
  50. 15Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 15 Aria: “Frohe Hirten, eilt, ach eilet” (tenor)3:40
  51. 16Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 16 Recitative: “Und das habt zum Zeichen” (tenor)0:19
  52. 17Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 17 Chorale: “Schaut hin, dort liegt im finstern Stall”0:38
  53. 18Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 18 Recitative & Arioso: “So geht denn hin, ihr Hirten, geht” (bass)0:55
  54. 19Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 19 Aria: “Schlafe, mein Liebster, genieße der Ruh” (alto)9:03
  55. 20Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 20 Recitative: “Und alsobald war da bei dem Engel” (tenor)0:13
  56. 21Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 21 Chorus: “Ehre sei Gott in der Höhe”2:59
  57. 22Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 22 Recitative: “So recht, ihr Engel, jauchzt und singet” (bass)0:20
  58. 23Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 23 Chorale: “Wir singen dir in deinem Heer”1:24
  59. 24Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 24 Chorus: “Herrscher des Himmels. erhöre das Lallen”1:59
  60. 25Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 25 Recitative: “Und da die Engel” (tenor)0:09
  61. 26Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 26 Chorus: “Lasset uns nun gehen”0:49
  62. 27Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 27 Recitative: “Er hat sein Volk getröst” (bass)0:43
  63. 28Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 28 Chorale: “Dies hat er alles uns getan”0:46
  64. 29Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 29 Duet: “Herr, dein Mitleid, dein Erbarmen” (soprano, bass)7:04
  65. 30Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 30 Recitative: “Und sie kamen eilend” (tenor)1:10
  66. 31Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 31 Aria: “Schließe, mein Herze, mein Herze, dies selige Wunder” (alto)4:55
  67. 32Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 32 Recitative: “Ja, ja, mein Herz soll es bewahren” (alto)0:25
  68. 33Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 33 Chorale: “Ich will dich mit Fleiß bewahren”0:55
  69. 34Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 34 Recitative: “Und die Hirten kehrten wieder um” (tenor)0:20
  70. 35Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 35 Chorale: “Seid froh dieweil”0:55
  71. 36Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 36 Chorus da capo: “Herrscher des Himmels, erhöre das Lallen”2:11
  72. 1Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 36 Chorus: “Fallt mit Danken”6:07
  73. 2Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 37 Recitative: “Und da acht Tage um waren” (tenor)0:26
  74. 3Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 38 Recitative: “Immanuel, o süßes Wort!” (bass) / & Chorale: “Jesu, du mein liebstes Leben”2:29
  75. 4Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 39 Aria: “Flößt, mein Heiland, flößt dein Namen” (soprano)6:01
  76. 5Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 40 Recitative: “Wohlan, dein Name soll allein” (bass) / & Chorale: “Jesu, meine Freud und Wonne”1:29
  77. 6Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 41 Aria: “Ich will nur dir zu Ehren leben” (tenor)4:52
  78. 7Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 42 Chorale: “Jesus richte mein Beginnen”2:04
  79. 8Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 43 Chorus: “Ehre sei dir, Gott, gesungen”7:29
  80. 9Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 44 Recitative: “Da Jesus geboren war zu Bethlehem” (tenor)0:23
  81. 10Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 45 Chorus: “Wo ist der neugeborne König der Jüden?” / & Recitative: “Sucht ihn in meiner Brust” (alto)1:43
  82. 11Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 46 Chorale: “Dein Glanz all Finsternis verzehrt”0:56
  83. 12Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 47 Aria: “Erleucht auch meine finstre Sinnen” (bass)4:23
  84. 13Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 48 Recitative: “Da das der König Herodes hörte” (tenor)0:12
  85. 14Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 49 Recitative: “Warum wollt ihr erschrecken?” (alto)0:33
  86. 15Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 50 Recitative: “Und ließ versammlen alle Hohepriester” (tenor)1:15
  87. 16Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 51 Trio: “Ach, wenn wird die Zeit erscheinen?” (soprano, alto, tenor)5:26
  88. 17Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 52 Recitative: “Mein Liebster herrschet schon” (alto)0:25
  89. 18Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 53 Chorale: “Zwar ist solche Herzensstube”1:08
  90. 19Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 54 Chorus: “Herr, wenn die stolzen Feinde schnauben”5:24
  91. 20Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 55 Recitative: “Da bereif Herodes die Weisen” (tenor, bass)0:40
  92. 21Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 56 Recitative: “Du Falscher, suche nur den Herrn zu fällen” (soprano)0:53
  93. 22Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 57 Aria: “Nur ein Wink von seinen Händen” (soprano)4:31
  94. 23Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 58 Recitative: “Als sie nun den König gehöret hatten” (tenor)1:10
  95. 24Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 59 Chorale: “Ich steh an deiner Krippen hier”1:10
  96. 25Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 60 Recitative: “Und Gott befahl ihnen im Traum” (tenor)0:20
  97. 26Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 61 Recitative: “So geht! Genug, mein Schatz geht nicht von hier” (tenor)1:53
  98. 27Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 62 Aria: “Nun mögt ihr stolzen Feinde schrecken” (tenor)4:41
  99. 28Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 63 Recitative: “Was will der Höllen Schrecken nun” (soprano, alto, tenor, bass)0:34
  100. 29Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 64 Chorale: “Nun seid ihr wohl gerochen”3:24
  101. 1Timotheus oder Die Gewalt der Musik: Part I. No. 1 Overture7:01
  102. 2Timotheus oder Die Gewalt der Musik: Part I. No. 2 Recitative: “Am königlichen Feste” (tenor)1:04
  103. 3Timotheus oder Die Gewalt der Musik: Part I. No. 3 Aria & Chorus: “Selig, selig, selig Paar!” (tenor)5:53
  104. 4Timotheus oder Die Gewalt der Musik: Part I. No. 4 Recitative: “Der Sänger ragt hervor” (tenor)0:27
  105. 5Timotheus oder Die Gewalt der Musik: Part I. No. 5 Accompagnato: “Das Lied begann vom Zeus” (soprano)1:01
  106. 6Timotheus oder Die Gewalt der Musik: Part I. No. 6 Chorus: “Den stillen Trupp entzückt das hohe Lied”2:33
  107. 7Timotheus oder Die Gewalt der Musik: Part I. No. 7 Aria: “Der König horcht mit stolzem Ohr” (soprano)3:55
  108. 8Timotheus oder Die Gewalt der Musik: Part I. No. 8 Recitative: “Des Bacchus Lob stimmt nun der süße Künstler an” (bass)0:48
  109. 9Timotheus oder Die Gewalt der Musik: Part I. No. 9 Aria & Chorus: “Bacchus, ewig jung und schön” (bass)4:53
  110. 10Timotheus oder Die Gewalt der Musik: Part I. No. 10 Recitative: “Siegprangend fühlt der Held das Lied!” (tenor)0:48
  111. 11Timotheus oder Die Gewalt der Musik: Part I. No. 11 Accompagnato: “Nun flößt sein Tauerton” (soprano)1:21
  112. 12Timotheus oder Die Gewalt der Musik: Part I. No. 12 Aria: “Er sang den Perser groß und gut” (soprano)3:10
  113. 13Timotheus oder Die Gewalt der Musik: Part I. No. 13 Accompagnato: “Gesenkt das Haupt, sitzt traurig da der Held” (soprano)1:20
  114. 14Timotheus oder Die Gewalt der Musik: Part I. No. 14 Chorus: “Seht an den Perser, groß und gut”2:51
  115. 15Timotheus oder Die Gewalt der Musik: Part I. No. 15 Recitative: “Der Meister lächelt, weil er sieht” (soprano)0:35
  116. 16Timotheus oder Die Gewalt der Musik: Part I. No. 16 Arioso: “Töne sanft, du lydisch Brautlied!” (soprano)3:32
  117. 17Timotheus oder Die Gewalt der Musik: Part I. No. 17 Aria: “Krieg, o Held, ist Sort und Arbeit” (tenor)5:05
  118. 18Timotheus oder Die Gewalt der Musik: Part I. No. 18 Chorus: “Die ganze Schar erhebt ein Lobgeschrei”4:34
  119. 19Timotheus oder Die Gewalt der Musik: Part I. No. 19 Aria: “Der Held, der seine Glut umsonst verhehlt” (soprano)6:43
  120. 20Timotheus oder Die Gewalt der Musik: Part I. No. 20 Chorus da capo: “Die ganze Schar erhebt ein Lobgeschrei”5:02
  121. 1Timotheus oder Die Gewalt der Musik: Part II. Speech by Nikolaus Harnoncourt / Audience singalong6:00
  122. 2Timotheus oder Die Gewalt der Musik: Part II. No. 20 Accompagnato: “Erschalle, goldnes Saitenspiel” (tenor) / Chorus: “Brich die Bande seines Schlummers” / Accompagnato: “Sieh da! Der Donneschlag hat ihn aufgeschreckt” (tenor)4:59
  123. 3Timotheus oder Die Gewalt der Musik: Part II. No. 21 Aria: “Gib Rach'!” (bass)8:26
  124. 4Timotheus oder Die Gewalt der Musik: Part II. No. 22 Accompagnato: “Rache, Rache gib deinem wackren Heer!” (tenor)1:44
  125. 5Timotheus oder Die Gewalt der Musik: Part II. No. 23 Aria: “Es jauchzen die Krieger” (tenor)2:15
  126. 6Timotheus oder Die Gewalt der Musik: Part II. No. 24 Aria: “Thais führt ihn an” (soprano) / Chorus: “Die Krieger, sie jauchzen”5:24
  127. 7Timotheus oder Die Gewalt der Musik: Part II. No. 25 Accompagnato: “So stimmte vor” (tenor) / Chorus: “Vom Himmel kam Caecilia”6:31
  128. 8Timotheus oder Die Gewalt der Musik: Part II. No. 26 Recitative: “Timotheus, entsag dem Preis!” (tenor, bass)0:25
  129. 9Timotheus oder Die Gewalt der Musik: Part II. No. 27 Soloists & Chorus: “Timotheus, entsag dem Preis!”5:06
  130. 1Messiah: Part I. No. 1 Sinfonia: Grave - Allegro moderato3:20
  131. 2Messiah: Part I. No. 2 Accompagnato: “Comfort ye my people” (tenor)3:04
  132. 3Messiah: Part I. No. 3 Air: “Ev'ry valley shall be exalted” (tenor)3:48
  133. 4Messiah: Part I. No. 4 Chorus “And the glory of the Lord”2:33
  134. 5Messiah: Part I. No. 5 Accompagnato: “Thus saith the Lord” (bass)1:33
  135. 6Messiah: Part I. No. 6 Air: “But who may abide the day of His coming” (alto)4:09
  136. 7Messiah: Part I. No. 7 Chorus “And He shall purify” / Recitative: “Behold, a virgin shall conceive” (alto)3:18
  137. 8Messiah: Part I. No. 8 Air: “O thou that tellest good tidings to Zion” (alto, chorus)5:49
  138. 9Messiah: Part I. No. 9 Accompagnato: “For behold, darkness shall cover the earth” (bass)1:53
  139. 10Messiah: Part I. No. 10 Air: “The people that walked in darkness” (bass)3:24
  140. 11Messiah: Part I. No. 11 Chorus: “For unto us a Child is born”4:53
  141. 12Messiah: Part I. No. 12 Pifa - Recitative: “There were shepherds” (soprano)1:04
  142. 13Messiah: Part I. No. 13 Accompagnato: “And lo! the angel of the Lord came upon them” (soprano) / Recitative: “And the angel said unto them” (soprano)1:04
  143. 14Messiah: Part I. No. 14 Accompagnato: “And suddenly there was with the angel” (soprano)0:16
  144. 15Messiah: Part I. No. 15 Chorus: “Glory to God in the highest”2:12
  145. 16Messiah: Part I. No. 16 Air: “Rejoice greatly, O daughter of Zion” (soprano) / Recitative: “Then shall the eyes of the blind” (alto)5:17
  146. 17Messiah: Part I. No. 17 Duet: “He shall feed His flock” (alto, soprano)5:34
  147. 18Messiah: Part I. No. 18 Chorus: “His yoke is easy”3:00
  148. 19Messiah: Part II. No. 19 Chorus: “Behold the Lamb of God”2:47
  149. 20Messiah: Part II. No. 20 Air: “He was despised” (alto)10:44
  150. 1Messiah: Part II. No. 21 Chorus: “Surely He hath borne our griefs”2:02
  151. 2Messiah: Part II. No. 22 Chorus: “And with His stripes we are healed”1:50
  152. 3Messiah: Part II. No. 23 Chorus: “All we like sheep have gone astray”3:40
  153. 4Messiah: Part II. No. 24 Accompagnato: “All they that see Him, laugh Him to scorn” (tenor)0:43
  154. 5Messiah: Part II. No. 25 Chorus: “He trusted in God”2:21
  155. 6Messiah: Part II. No. 26 Accompagnato: “Thy rebuke hath broken His heart” (soprano)1:39
  156. 7Messiah: Part II. No. 27 Arioso: “Behold, and see if there be any sorrow” (soprano)1:18
  157. 8Messiah: Part II. No. 28 Accompagnato: “He was cut off out of the land of the living” (tenor)0:22
  158. 9Messiah: Part II. No. 29 Air: “But Thou didst not leave” (tenor)2:17
  159. 10Messiah: Part II. No. 30 Chorus: “Lift up your heads, O ye gates” / Recitative: “Unto which of the angels” (tenor)3:22
  160. 11Messiah: Part II. No. 31 Chorus: “Let all the angels of God worship Him”1:37
  161. 12Messiah: Part II. No. 32 Air: “Thou art gone up on high” (alto)3:09
  162. 13Messiah: Part II. No. 33 Chorus: “The Lord gave the word”1:16
  163. 14Messiah: Part II. No. 34a Air: “How beautiful are the feet” (soprano)2:01
  164. 15Messiah: Part II. No. 35a Chorus: “Their sound is gone out”1:19
  165. 16Messiah: Part II. No. 36 Air: “Why do the nations so furiously rage together?” (bass)2:57
  166. 17Messiah: Part II. No. 37 Chorus: “Let us break their bonds asunder” / Recitative: “He that dwelleth in Heaven” (tenor)1:59
  167. 18Messiah: Part II. No. 38 Air: “Thou shalt break them” (tenor)2:05
  168. 19Messiah: Part II. No. 39 Chorus: “Hallelujah!”4:06
  169. 20Messiah: Part III. No. 40 Air: “I know that my Redeemer liveth” (soprano)5:57
  170. 21Messiah: Part III. No. 41 Chorus: “Since by man came death”1:46
  171. 22Messiah: Part III. No. 42 Accompagnato: “Behold, I tell you a mystery” (bass)0:41
  172. 23Messiah: Part III. No. 43 Air: “The trumpet shall sound” (bass)8:36
  173. 24Messiah: Part III. No. 43 Recitative: “Then shall be brought to pass” (alto) / No. 44 Duet: “O death, where is they sting?” (alto, tenor)0:58
  174. 25Messiah: Part III. No. 45 Chorus: “But thanks be to God”2:08
  175. 26Messiah: Part III. No. 46 Air: “If God be for us” (soprano)4:46
  176. 27Messiah: Part III. No. 47 Chorus: “Worthy is the Lamb”6:40
  177. 1Orlando Paladino, Hob. XXVIII:11: Act I. No. 1 Sinfonia3:43
  178. 2Orlando Paladino, Hob. XXVIII:11: Act I. No. 2 Introduction: “Il lavorar l'è pur la brutta cosa” (Eurilla, Licone, Rodomonte)3:04
  179. 3Orlando Paladino, Hob. XXVIII:11: Act I. No. 3 Recitative: “Presto rispondi, indegno” (Eurilla, Rodomonte, Licone)1:10
  180. 4Orlando Paladino, Hob. XXVIII:11: Act I. No. 4 Aria: “Ah se dire io vi potessi” (Eurilla)3:19
  181. 5Orlando Paladino, Hob. XXVIII:11: Act I. No. 5 Recitative: “Non perdiamo più tempo” (Rodomonte, Licone)0:18
  182. 6Orlando Paladino, Hob. XXVIII:11: Act I. No. 6 Aria: “Temerario! Senti e trema” (Rodomonte)3:21
  183. 7Orlando Paladino, Hob. XXVIII:11: Act I. No. 7 Cavatina: “Palpita ad ogni istante il povero mio cor” (Angelica)4:45
  184. 8Orlando Paladino, Hob. XXVIII:11: Act I. No. 8 Recitative: “Poco di me mi cal, ma per Medoro” (Angelica)0:35
  185. 9Orlando Paladino, Hob. XXVIII:11: Act I. No. 9 Sinfonia0:27
  186. 10Orlando Paladino, Hob. XXVIII:11: Act I. No. 10 Recitative: “Che fami dalla fata?” (Alcina, Angelica)0:42
  187. 11Orlando Paladino, Hob. XXVIII:11: Act I. No. 11 Aria: “Ad un guardo” (Alcina)4:02
  188. 12Orlando Paladino, Hob. XXVIII:11: Act I. No. 12 Recitative: “D'Alcina i detti mi consolano il cuore” (Angelica, Medoro)0:44
  189. 13Orlando Paladino, Hob. XXVIII:11: Act I. No. 13 Aria: “Parto. Ma, oh dio, non posso” (Medoro)6:11
  190. 14Orlando Paladino, Hob. XXVIII:11: Act I. No. 14 Recitative: “Col mio Medoro accanto” (Angelica)0:17
  191. 15Orlando Paladino, Hob. XXVIII:11: Act I. No. 15 Cavatina: “La mia bella m'ha detto di no” (Pasquale)1:21
  192. 16Orlando Paladino, Hob. XXVIII:11: Act I. No. 16 Recitative: “Pasquale disgraziato” (Pasquale, Rodomonte, Eurilla)1:44
  193. 17Orlando Paladino, Hob. XXVIII:11: Act I. No. 17 Aria: “Ho viaggiato in Francia, in Spagna” (Pasquale)3:24
  194. 18Orlando Paladino, Hob. XXVIII:11: Act I. No. 18 Recitative: “Si, regina, ho deciso” (Medoro, Angelica)0:47
  195. 19Orlando Paladino, Hob. XXVIII:11: Act I. No. 19 Aria: “Non partir, mia bella face” (Angelica)5:20
  196. 20Orlando Paladino, Hob. XXVIII:11: Act I. No. 20 Recitative: “In odio al mio bel nume” (Medoro)0:17
  197. 21Orlando Paladino, Hob. XXVIII:11: Act I. No. 21 Accompanied Recitative: “Angelica, mio ben” (Orlando)4:36
  198. 22Orlando Paladino, Hob. XXVIII:11: Act I. No. 22 Aria: “D'Angelica il nome!” (Orlando)3:45
  199. 23Orlando Paladino, Hob. XXVIII:11: Act I. No. 23 Recitative: “Ove si cela il furibondo Orlando?” (Rodomonte, Pasquale, Orlando, Eurilla)0:45
  200. 24Orlando Paladino, Hob. XXVIII:11: Act I. No. 24 Finale I: “Presto rispondi, indegna” (Orlando)1:43
  201. 25Orlando Paladino, Hob. XXVIII:11: Act I. Adagio: “Sento nel seno, oh dio” (Angelica, tutti)3:42
  202. 26Orlando Paladino, Hob. XXVIII:11: Act I. Adagio: “Chi mi salva o tien nascoso” (Medoro, Angelica, tutti)8:15
  203. 1Orlando Paladino, Hob. XXVIII:11: Act II. No. 25 Recitative: “Stringi tosto quel brando” (Rodomonte, Orlando)0:18
  204. 2Orlando Paladino, Hob. XXVIII:11: Act II. No. 26 Aria: “Mille lampi d'accese faville” (Rodomonte)2:13
  205. 3Orlando Paladino, Hob. XXVIII:11: Act II. No. 27 Recitative: “In questo solitario orrido luogo” (Medoro, Eurilla)0:49
  206. 4Orlando Paladino, Hob. XXVIII:11: Act II. No. 28 Aria: “Dille che un infelice” (Medoro)5:02
  207. 5Orlando Paladino, Hob. XXVIII:11: Act II. No. 29 Recitative: “Sembra costui Pasquale” (Eurilla)0:18
  208. 6Orlando Paladino, Hob. XXVIII:11: Act II. No. 30 Cavatina: “Vittoria, vittoria!” (Pasquale)1:50
  209. 7Orlando Paladino, Hob. XXVIII:11: Act II. No. 31 Recitative: “Vuo' divertirmi” - “Aiuto, per pietà!” (Eurilla, Pasquale)1:22
  210. 8Orlando Paladino, Hob. XXVIII:11: Act II. No. 32 Duet: “Quel tuo visetto amabile” (Eurilla, Pasquale)3:29
  211. 9Orlando Paladino, Hob. XXVIII:11: Act II. No. 33 Aria: “Aure chete, verdi allori” (Angelica)5:31
  212. 10Orlando Paladino, Hob. XXVIII:11: Act II. No. 34 Recitative: “Inutili saran del paladino” (Alcina)0:34
  213. 11Orlando Paladino, Hob. XXVIII:11: Act II. No. 35 Recitative accompagnato: “Fra queste selve invan” (Angelica, Medoro)5:18
  214. 12Orlando Paladino, Hob. XXVIII:11: Act II. No. 36 Duet: “Qual contento io provo in seno” (Medoro, Angelica)3:48
  215. 13Orlando Paladino, Hob. XXVIII:11: Act II. No. 37 Recitative: “Partiam, giacché n'arride” (Angelica, Medoro, Orlando, Alcina)3:11
  216. 14Orlando Paladino, Hob. XXVIII:11: Act II. No. 38 Accompanied Recitative: “Oimè, qual tetro oggetto!” - Aria: “Cosa vedo! Cosa sento” (Orlando)3:16
  217. 15Orlando Paladino, Hob. XXVIII:11: Act II. No. 39 Recitative: “Madama, al vostro bello di quel grugno” (Pasquale, Eurilla)0:58
  218. 16Orlando Paladino, Hob. XXVIII:11: Act II. No. 40 Aria: “Ecco spiano. Ecco il mio trillo” (Pasquale)4:12
  219. 17Orlando Paladino, Hob. XXVIII:11: Act II. No. 41 Recitative: “Angelica dov'è?” (Rodomonte, Alcina)1:11
  220. 18Orlando Paladino, Hob. XXVIII:11: Act II. No. 42 Finale II: “Nel solitario speco” (tutti)11:52
  221. 19Orlando Paladino, Hob. XXVIII:11: Act III. No. 43 Aria: “Ombre insepolte, di qua partite” (Caronte)2:17
  222. 20Orlando Paladino, Hob. XXVIII:11: Act III. No. 44 Recitative: “Con l'oblivione ti comando” (Alcina, Caronte)0:35
  223. 21Orlando Paladino, Hob. XXVIII:11: Act III. No. 45 Accompanied Recitative: “Sogno? Veglio?” (Orlando)3:07
  224. 22Orlando Paladino, Hob. XXVIII:11: Act III. No. 46 Aria: “Miei pensieri, dove siete?” (Orlando)3:14
  225. 23Orlando Paladino, Hob. XXVIII:11: Act III. No. 47 Accompanied Recitative: “L'irremeabil onda” (Caronte, Orlando)0:29
  226. 24Orlando Paladino, Hob. XXVIII:11: Act III. No. 48 Recitative: “Oimè. Già il sangue” (Medoro, Angelica, Orlando, Rodomonte)0:43
  227. 25Orlando Paladino, Hob. XXVIII:11: Act III. No. 49 Combattimento1:04
  228. 26Orlando Paladino, Hob. XXVIII:11: Act III. No. 50 Accompanied Recitative: “Implacabili numil” (Angelica)4:29
  229. 27Orlando Paladino, Hob. XXVIII:11: Act III. No. 51 Aria: “Dell'estreme sue voci dolenti”2:47
  230. 28Orlando Paladino, Hob. XXVIII:11: Act III. No. 52 Recitative: “Il tuo Medoro fu già risanato” (Alcina, tutti)1:28
  231. 29Orlando Paladino, Hob. XXVIII:11: Act III. No. 53 Chorus: “Son confuso e stupefatto” (Orlando, tutti)2:54
  232. 1Symphony no. 82 in C major “The Bear”, Hob. I:82: I. Vivace (assai)12:06
  233. 2Symphony no. 82 in C major “The Bear”, Hob. I:82: II. Allegretto7:46
  234. 3Symphony no. 82 in C major “The Bear”, Hob. I:82: III. Menuetto - Trio4:53
  235. 4Symphony no. 82 in C major “The Bear”, Hob. I:82: IV. Finale. Vivace (assai)8:11
  236. 5Symphony no. 83 in G minor “The Hen”, Hob. I:83: I. Allegro spiritoso10:45
  237. 6Symphony no. 83 in G minor “The Hen”, Hob. I:83: II. Andante11:01
  238. 7Symphony no. 83 in G minor “The Hen”, Hob. I:83: III. Menuetto. Allegretto - Trio3:54
  239. 8Symphony no. 83 in G minor “The Hen”, Hob. I:83: IV. Finale. Vivace5:42
  240. 1Symphony no. 84 in E-flat major, Hob. I:84: I. Largo - Allegro12:45
  241. 2Symphony no. 84 in E-flat major, Hob. I:84: II. Andante6:32
  242. 3Symphony no. 84 in E-flat major, Hob. I:84: III. Menuetto. Allegretto - Trio3:50
  243. 4Symphony no. 84 in E-flat major, Hob. I:84: IV. Finale. Vivace9:23
  244. 5Symphony no. 85 in B-flat major “The Queen”, Hob. I:85: I. Adagio - Vivace12:47
  245. 6Symphony no. 85 in B-flat major “The Queen”, Hob. I:85: II. Romance. Allegretto6:47
  246. 7Symphony no. 85 in B-flat major “The Queen”, Hob. I:85: III. Menuetto. Allegretto - Trio4:32
  247. 8Symphony no. 85 in B-flat major “The Queen”, Hob. I:85: IV. Finale. Presto3:11
  248. 1Symphony no. 86 in D major, Hob. I:86 (1786): I. Adagio - Allegro spiritoso12:35
  249. 2Symphony no. 86 in D major, Hob. I:86 (1786): II. Capriccio. Largo6:47
  250. 3Symphony no. 86 in D major, Hob. I:86 (1786): III. Menuet. Allegretto - Trio5:40
  251. 4Symphony no. 86 in D major, Hob. I:86 (1786): IV. Finale. Allegro con spirito6:36
  252. 5Symphony no. 87 in A major, Hob. I:87 (1785): I. Vivace11:17
  253. 6Symphony no. 87 in A major, Hob. I:87 (1785): II. Adagio7:18
  254. 7Symphony no. 87 in A major, Hob. I:87 (1785): III. Menuet - Trio4:56
  255. 8Symphony no. 87 in A major, Hob. I:87 (1785): IV. Finale. Vivace6:31
  256. 1Die Schöpfung, Hob. XXI:2: Part I. The Representation of Chaos5:40
  257. 2Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Im Anfange schuf Gott Himmel und Erde” (Raphael) - Chorus: “Und der Geist Gottes”2:31
  258. 3Die Schöpfung, Hob. XXI:2: Part I. Aria: “Nun Schwanden vor dem heiligen Strahle” (Uriel) / Chorus: “Verzweiflung, Wut und Schrecken”4:06
  259. 4Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott machte das Firmament” (Raphael)2:13
  260. 5Die Schöpfung, Hob. XXI:2: Part I. Soprano solo: “Mit Staunen sieht das Wunderwerk” (Gabriel) / Chorus: “Und laut ertönt aus ihren Kehlen...”2:16
  261. 6Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott sprach: Es sammle sich das Wasser” (Raphael)0:42
  262. 7Die Schöpfung, Hob. XXI:2: Part I. Aria: “Rollend in schäumenden Wellen” (Raphael)4:03
  263. 8Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott sprach: Es bringe die Erde Gras hervor” (Gabriel)0:36
  264. 9Die Schöpfung, Hob. XXI:2: Part I. Aria: “Nun beut die Flur das frische Grün” (Gabriel)5:19
  265. 10Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und die himmlischen Heerscharen verkündigten den dritten Tag” (Uriel)0:15
  266. 11Die Schöpfung, Hob. XXI:2: Part I. Chorus: “Stimmt an die Saiten, ergreift die Leyer!”2:18
  267. 12Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott sprach: Es sei'n Lichter an der Feste des Himmels” (Uriel)0:48
  268. 13Die Schöpfung, Hob. XXI:2: Part I. Recitative: “In vollem Glanze steiget jetzt die Sonne strahlend auf” (Uriel)3:16
  269. 14Die Schöpfung, Hob. XXI:2: Part I. Chorus: “Die Himmel erzählen die Ehre Gottes” / Trio: “Dem kommenden Tage sagt es der Tag” (Gabriel, Uriel, Raphael)4:25
  270. 1Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott sprach: Es bringe das Wasser in der Fülle hervor” (Gabriel)0:31
  271. 2Die Schöpfung, Hob. XXI:2: Part II. Aria: “Auf starkem Fittige schwinget sich der Adler stolz” (Gabriel)7:48
  272. 3Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott schuf große Walfische” (Raphael)2:12
  273. 4Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und die Engel rührten ihr' unsterblichen Harrfen” (Raphael)0:18
  274. 5Die Schöpfung, Hob. XXI:2: Part II. Trio: “In holder Anmut stehn, mit jungem Grün geschmückt” (Gabriel, Uriel, Raphael) / Chorus: “Der Herr ist groß in siner Macht”7:03
  275. 6Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott sprach: Es bringe die Erde hervor” (Raphael)0:25
  276. 7Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Gleich öffnet sich der Erde Schoß” (Raphael)3:11
  277. 8Die Schöpfung, Hob. XXI:2: Part II. Aria: “Nun scheint in vollem Glanze der Himmel” (Raphael)3:21
  278. 9Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott schuf den Menschen nach seinem Ebenbilde” (Uriel)0:48
  279. 10Die Schöpfung, Hob. XXI:2: Part II. Aria: “Mit Würd' und Hoheit angetan” (Uriel)3:59
  280. 11Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott sah jedes Ding, was er gemacht hatte” (Raphael)0:20
  281. 12Die Schöpfung, Hob. XXI:2: Part II. Chorus: “Vollendet ist das große Werk” / Trio: “Zu dir, o Herr, blickt alles auf” (Gabriel, Uriel, Raphael)9:18
  282. 13Die Schöpfung, Hob. XXI:2: Part III. Recitative: “Aus Rosenwolken bricht, geweckt durch süßen Klang” (Uriel)3:56
  283. 14Die Schöpfung, Hob. XXI:2: Part III. Duet: “Von deiner Güt', o Herr und Gott” (Adam, Eva) / Chorus: “Gesegnet sei des Herren Macht”10:21
  284. 15Die Schöpfung, Hob. XXI:2: Part III. Recitative: “Nun ist die erste Pflicht erfüllt” (Adam, Eva)2:13
  285. 16Die Schöpfung, Hob. XXI:2: Part III. Duet: “Holde Gattin! Dir zur Seite” (Adam, Eva)7:58
  286. 17Die Schöpfung, Hob. XXI:2: Part III. Recitative: “O glücklich Paar, und glücklich immerfort” (Uriel)0:24
  287. 18Die Schöpfung, Hob. XXI:2: Part III. Final Chorus & Soloists: “Singt dem Herren alle Stimmen!”3:37
  288. 1Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 1 Introduction - Recitative: “Seht, wie der strenge Winter flieht!” (Simon, Lukas, Hanne)6:06
  289. 2Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 2 Chorus of Country People: “Komm, holder Lenz!”3:53
  290. 3Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 3 Recitative: “Vom Widder strahlet jetzt” (Simon)0:30
  291. 4Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 4 Aria: “Schon eilet froh der Ackermann” (Simon)3:51
  292. 5Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 5 Recitative: “Der Landmann hat sein Werk vollbracht” (Lukas)0:33
  293. 6Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 6 Prayer of Supplication: Trio & Chorus: “Sei mir/uns nun gnädig, milder Himmel!”5:43
  294. 7Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 7 Recitative: “Erhört ist unser Flehn” (Hanne)1:08
  295. 8Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 8 Song of Joy: “O wie lieblich ist der Anblick” (Hanne, Lukas, chorus, Simon)10:47
  296. 9Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 9 Introduction - Recitative: “In grauem Schleier rückt heran” (Lukas, Simon)3:26
  297. 10Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 10 Aria: “Der munt're Hirt versammelt nun” (Simon) / Recitative: “Die Morgenröte bricht hervor” (Hanne)3:17
  298. 11Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 11 Trio & Chorus: “Sie steigt herauf, die Sonne”4:40
  299. 12Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 12 Recitative: “Nun regt und bewegt sich alles umher” (Simon, Lukas)1:48
  300. 13Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 13 Cavatina: “Dem Druck erlieget die Natur” (Lukas)3:58
  301. 14Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 14 Recitative: “Willkommen jetzt, o dunkler Hain” (Hanne)3:47
  302. 15Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 15 Aria: “Welche Labung für die Sinne!” (Hanne)4:53
  303. 16Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 16 Recitative: “O seht! Es steiget in der schwülen Luft” (Simon, Lukas, Hanne)2:21
  304. 17Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 17 Chorus: “Ach! das Ungewitter naht!”4:09
  305. 18Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 18 Trio & Chorus: “Die düstren Wolken trennen sich”4:21
  306. 1Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 19 Introduction: “Was durch deine Blüte” (Hanne, Lukas, Simon)2:21
  307. 2Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 20 Trio & Chorus: “So lohnet die Natur den Fleiß”6:40
  308. 3Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 21 Recitative: “Seht, wie zum Haselbusche dort” (Hanne, Simon, Lukas)1:00
  309. 4Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 22 Duet: “Ihr Schönen aus der Stadt, kommt her” (Lukas, Hanne)8:30
  310. 5Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 23 Recitative: “Nun zeiget das entblößte Feld” (Simon)0:51
  311. 6Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 24 Aria: “Seht auf die breiten Wiesen hin!”3:15
  312. 7Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 25 Recitative: “Hier treibt ein dichter Kreis” (Lukas)0:43
  313. 8Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 26 Chorus of Country People and Hunters: “Hört! hört das laute Getön”4:18
  314. 9Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 27 Recitative: “Am Rebenstocke blinket jetzt” (Hanne, Simon, Lukas)0:57
  315. 10Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 28 Chorus: “Juhe! Juhe! Der Wein ist da”6:23
  316. 11Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 29 Introduction - Recitative: “Nun senket sich das blasse Jahr” (Simon, Hanne)5:23
  317. 12Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 30 Cavatina: “Licht und Leben sind geschwächet” (Hanne)2:03
  318. 13Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 31 Recitative: “Gefesselt steht der breite See” (Lukas)1:54
  319. 14Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 32 Aria: “Hier steht der Wand'rer nun” (Lukas)3:47
  320. 15Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 33 Recitative: “Sowie er naht” (Lukas, Hanne, Simon)1:08
  321. 16Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 34 Song & Chorus: “Knurre, schnurre, knurre” (Hanne)2:51
  322. 17Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 35 Recitative: “Abgesponnen ist der Flachs” (Lukas)0:22
  323. 18Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 36 Song & Chorus: “Ein Mädchen, das auf Ehre hielt” (Hanne)3:19
  324. 19Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 37 Recitative: “Von dürren Oste dringt” (Simon)0:39
  325. 20Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 38 Aria: “Erblicke hier, betörter Mensch” (Simon)4:53
  326. 21Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 39 Trio & Double Chorus: “Dann bricht der große Morgen an”6:14
  327. 1Symphony no. 1 in E-flat major, K 16: I. Molto allegro7:12
  328. 2Symphony no. 1 in E-flat major, K 16: II. Andante5:09
  329. 3Symphony no. 1 in E-flat major, K 16: III. Presto1:28
  330. 4Symphony no. 4 in D major, K 19: I. Allegro2:31
  331. 5Symphony no. 4 in D major, K 19: II. Andante3:49
  332. 6Symphony no. 4 in D major, K 19: III. Presto2:55
  333. 7Symphony no. 4a in F major, K Anh 223 (19a): I. Allegro assai5:55
  334. 8Symphony no. 4a in F major, K Anh 223 (19a): II. Andante4:39
  335. 9Symphony no. 4a in F major, K Anh 223 (19a): III. Presto2:21
  336. 10Symphony no. 5 in B-flat major, K 22: I. Allegro2:49
  337. 11Symphony no. 5 in B-flat major, K 22: II. Andante2:11
  338. 12Symphony no. 5 in B-flat major, K 22: III. Molto allegro1:14
  339. 13Symphony no. 43 in F major, K 76 (42a): I. Allegro maestoso4:53
  340. 14Symphony no. 43 in F major, K 76 (42a): II. Andante3:05
  341. 15Symphony no. 43 in F major, K 76 (42a): III. Menuetto - Trio3:16
  342. 16Symphony no. 43 in F major, K 76 (42a): IV. Allegro3:20
  343. 17Symphony no. 6 in F major, K 43: I. Allegro6:24
  344. 18Symphony no. 6 in F major, K 43: II. Andante5:59
  345. 19Symphony no. 6 in F major, K 43: III. Menuetto - Trio2:15
  346. 20Symphony no. 6 in F major, K 43: IV. Allegro3:49
  347. 1Symphony no. 7a in G major “Alte Lambach”, K Anh 221 (45a): I. Allegro maestoso5:30
  348. 2Symphony no. 7a in G major “Alte Lambach”, K Anh 221 (45a): II. Andante6:46
  349. 3Symphony no. 7a in G major “Alte Lambach”, K Anh 221 (45a): III. Presto2:21
  350. 4Symphony no. 7 in D major, K 45: I. Molto allegro2:36
  351. 5Symphony no. 7 in D major, K 45: II. Andante2:09
  352. 6Symphony no. 7 in D major, K 45: III. Menuetto - Trio3:52
  353. 7Symphony no. 7 in D major, K 45: IV. Molto allegro2:41
  354. 8Symphony no. 55 in B-flat major, K Anh 214 (45b): I. Allegro2:16
  355. 9Symphony no. 55 in B-flat major, K Anh 214 (45b): II. Andante3:31
  356. 10Symphony no. 55 in B-flat major, K Anh 214 (45b): III. Menuetto - Trio3:08
  357. 11Symphony no. 55 in B-flat major, K Anh 214 (45b): IV. Allegro3:57
  358. 12Symphony no. 8 in D major. K 48: I. Allegro4:41
  359. 13Symphony no. 8 in D major. K 48: II. Andante2:26
  360. 14Symphony no. 8 in D major. K 48: III. Menuetto - Trio4:07
  361. 15Symphony no. 8 in D major. K 48: IV. Molto allegro3:27
  362. 16Symphony no. 9 in C major, K 73 (75a): I. Allegro3:24
  363. 17Symphony no. 9 in C major, K 73 (75a): II. Andante3:59
  364. 18Symphony no. 9 in C major, K 73 (75a): III. Menuetto - Trio2:37
  365. 19Symphony no. 9 in C major, K 73 (75a): IV. Molto allegro1:55
  366. 20Symphony no. 44 in D major, K 81 (73l): I. Allegro3:17
  367. 21Symphony no. 44 in D major, K 81 (73l): II. Andante4:53
  368. 22Symphony no. 44 in D major, K 81 (73l): III. Allegro molto2:35
  369. 1Symphony no. 47 in D major, K 97 (73m): I. Allegro2:49
  370. 2Symphony no. 47 in D major, K 97 (73m): II. Andante2:34
  371. 3Symphony no. 47 in D major, K 97 (73m): III. Menuetto - Trio2:37
  372. 4Symphony no. 47 in D major, K 97 (73m): IV. Presto1:32
  373. 5Symphony no. 45 in D major, K 95 (73n): I. Allegro1:59
  374. 6Symphony no. 45 in D major, K 95 (73n): II. Andante3:54
  375. 7Symphony no. 45 in D major, K 95 (73n): III. Menuetto - Trio2:58
  376. 8Symphony no. 45 in D major, K 95 (73n): IV. Allegro3:36
  377. 9Symphony no. 11 in D major, K 84 (73q): I. Allegro3:47
  378. 10Symphony no. 11 in D major, K 84 (73q): II. Andante1:38
  379. 11Symphony no. 11 in D major, K 84 (73q): III. Allegro4:45
  380. 12Symphony no. 10 in G major, K 74: I. Allegro - attacca3:16
  381. 13Symphony no. 10 in G major, K 74: II. Andante2:14
  382. 14Symphony no. 10 in G major, K 74: III. Allegro2:15
  383. 15Symphony no. 42 in F major, K 75: I. Allegro3:24
  384. 16Symphony no. 42 in F major, K 75: II. Menuetto - Trio3:32
  385. 17Symphony no. 42 in F major, K 75: III. Andantino4:48
  386. 18Symphony no. 42 in F major, K 75: IV. Allegro2:39
  387. 19Symphony no. 12 in G major, K 110 (75b): I. Allegro5:57
  388. 20Symphony no. 12 in G major, K 110 (75b): II. Andante4:06
  389. 21Symphony no. 12 in G major, K 110 (75b): III. Menuetto - Trio3:48
  390. 22Symphony no. 12 in G major, K 110 (75b): IV. Allegro2:01
  391. 23Symphony no. 48 in D major: I. Allegro assai3:54
  392. 24Symphony no. 48 in D major: II. Andante grazioso1:28
  393. 25Symphony no. 48 in D major: III. Finale. Presto1:10
  394. 1Symphony no. 46 in C major, K96 (111b): I. Allegro2:06
  395. 2Symphony no. 46 in C major, K96 (111b): II. Andante4:21
  396. 3Symphony no. 46 in C major, K96 (111b): III. Menuetto - Trio3:32
  397. 4Symphony no. 46 in C major, K96 (111b): IV. Molto allegro3:13
  398. 5Symphony no. 13 in F major, K 112: I. Allegro5:39
  399. 6Symphony no. 13 in F major, K 112: II. Andante4:33
  400. 7Symphony no. 13 in F major, K 112: III. Menuetto - Trio2:28
  401. 8Symphony no. 13 in F major, K 112: IV. Molto allegro2:12
  402. 9Symphony no. 14 in A major, K 114: I. Allegro moderato7:42
  403. 10Symphony no. 14 in A major, K 114: II. Andante4:44
  404. 11Symphony no. 14 in A major, K 114: III. Menuetto - Trio3:41
  405. 12Symphony no. 14 in A major, K 114: IV. Molto allegro4:38
  406. 13Symphony no. 15 in G major, K 124: I. Allegro5:19
  407. 14Symphony no. 15 in G major, K 124: II. Andante4:21
  408. 15Symphony no. 15 in G major, K 124: III. Menuetto - Trio2:16
  409. 16Symphony no. 15 in G major, K 124: IV. Presto2:08
  410. 17Sinfonie-Menuett in C major, K 409 (383f): Menuetto - Trio7:08
  411. 1Symphony no. 16 in C major, K 128: I. Allegro maestoso5:10
  412. 2Symphony no. 16 in C major, K 128: II. Andante grazioso4:27
  413. 3Symphony no. 16 in C major, K 128: III. Allegro4:18
  414. 4Symphony no. 17 in G major, K 129: I. Allegro4:50
  415. 5Symphony no. 17 in G major, K 129: II. Andante4:05
  416. 6Symphony no. 17 in G major, K 129: III. Allegro3:09
  417. 7Symphony no. 18 in F major, K 130: I. Allegro5:45
  418. 8Symphony no. 18 in F major, K 130: II. Andantino grazioso6:53
  419. 9Symphony no. 18 in F major, K 130: III. Menuetto - Trio2:42
  420. 10Symphony no. 18 in F major, K 130: IV. Molto allegro7:14
  421. 11Symphony no. 19 in E-flat major, K 132: I. Allegro4:06
  422. 12Symphony no. 19 in E-flat major, K 132: II. Andantino [Version 2]10:25
  423. 13Symphony no. 19 in E-flat major, K 132: III. Menuetto - Trio3:51
  424. 14Symphony no. 19 in E-flat major, K 132: IV. Allegro4:02
  425. 15Symphony no. 19 in E-flat major, K 132: II. Andantino grazioso [Version 1]2:43
  426. 1Symphony no. 20 in D major, K 133: I. Allegro10:44
  427. 2Symphony no. 20 in D major, K 133: II. Andante7:44
  428. 3Symphony no. 20 in D major, K 133: III. Menuetto - Trio4:23
  429. 4Symphony no. 20 in D major, K 133: IV. Allegro5:35
  430. 5Symphony no. 21 in A major, K 134: I. Allegro5:29
  431. 6Symphony no. 21 in A major, K 134: II. Andante5:11
  432. 7Symphony no. 21 in A major, K 134: III. Menuetto - Trio3:48
  433. 8Symphony no. 21 in A major, K 134: IV. Allegro4:35
  434. 9Symphony no. 50 in D major, K 161 (141a): I. Allegro moderato3:28
  435. 10Symphony no. 50 in D major, K 161 (141a): II. Andante1:51
  436. 11Symphony no. 50 in D major, K 161 (141a): III. Presto1:52
  437. 12Symphony no. 22 in C major, K 162: I. Allegro assai3:55
  438. 13Symphony no. 22 in C major, K 162: II. Andantino grazioso2:48
  439. 14Symphony no. 22 in C major, K 162: III. Presto assai1:58
  440. 15Symphony no. 26 in E-flat major, K 184 (161a): I. Molto presto2:54
  441. 16Symphony no. 26 in E-flat major, K 184 (161a): II. Andante - attacca3:06
  442. 17Symphony no. 26 in E-flat major, K 184 (161a): III. Allegro2:16
  443. 1Symphony no. 27 in G major, K 199 (161b): I. Allegro6:43
  444. 2Symphony no. 27 in G major, K 199 (161b): II. Andantino grazioso10:06
  445. 3Symphony no. 27 in G major, K 199 (161b): III. Presto5:25
  446. 4Symphony no. 23 in D major, K 181 (162b): I. Allegro spiritoso - attacca4:57
  447. 5Symphony no. 23 in D major, K 181 (162b): II. Andantino grazioso - attacca2:36
  448. 6Symphony no. 23 in D major, K 181 (162b): III. Presto assai2:03
  449. 7Symphony no. 24 in B-flat major, K 182 (173dA): I. Allegro spiritoso4:12
  450. 8Symphony no. 24 in B-flat major, K 182 (173dA): II. Andantino grazioso3:29
  451. 9Symphony no. 24 in B-flat major, K 182 (173dA): III. Allegro3:10
  452. 10Symphony no. 25 in G minor, K 183 (173dB): I. Allegro con brio10:45
  453. 11Symphony no. 25 in G minor, K 183 (173dB): II. Andante6:07
  454. 12Symphony no. 25 in G minor, K 183 (173dB): III. Menuetto - Trio3:34
  455. 13Symphony no. 25 in G minor, K 183 (173dB): IV. Allegro7:03
  456. 14Symphony no. 51 in D major: I. Allegro molto2:32
  457. 15Symphony no. 51 in D major: II. Andantino grazioso2:13
  458. 16Symphony no. 51 in D major: III. Allegro2:30
  459. 1“Mein Herz ist völlig entzücket” (Wolfgang Amadeus Mozart)0:22
  460. 2Symphony no. 1 in E-flat major, K 16: I. Molto allegro7:11
  461. 3Symphony no. 1 in E-flat major, K 16: II. Andante5:09
  462. 4Symphony no. 1 in E-flat major, K 16: III. Presto1:22
  463. 5“Wie kostbar die Zeit für die Jugend ist” (Leopold Mozart)0:29
  464. 6Symphony no. 4 in D major, K 19: I. Allegro2:31
  465. 7Symphony no. 4 in D major, K 19: II. Andante3:49
  466. 8Symphony no. 4 in D major, K 19: III. Presto2:49
  467. 9“Das heist auf der Schneckenpost gereiset!" (Leopold Mozart)0:57
  468. 10Symphony no. 4a in F major, K Anh 223 (19a): I. Allegro assai5:55
  469. 11Symphony no. 4a in F major, K Anh 223 (19a): II. Andante4:39
  470. 12Symphony no. 4a in F major, K Anh 223 (19a): III. Presto2:16
  471. 13“Meine Kinder haben ganz Schwetzingen in Bewegung gesetzet” (Leopold Mozart & Maria Anna (“Nannerl”) Mozart)1:00
  472. 14Symphony no. 5 in B-flat major, K 22: I. Allegro2:49
  473. 15Symphony no. 5 in B-flat major, K 22: II. Andante2:11
  474. 16Symphony no. 5 in B-flat major, K 22: III. Molto allegro1:07
  475. 17“Bei Erblickung meiner Kinder stille gehalten” (Leopold Mozart)1:13
  476. 18Symphony no. 7a in G major, K Anh 221 (45a) “Alte Lambach”: I. Allegro maestoso5:30
  477. 19Symphony no. 7a in G major, K Anh 221 (45a) “Alte Lambach”: II. Andante6:46
  478. 20Symphony no. 7a in G major, K Anh 221 (45a) “Alte Lambach”: III. Presto2:16
  479. 21“Wir sind, Gott Lob, glücklich über den Maxlaner-Bach gekommen” (Leopold Mozart)1:12
  480. 22Symphony no. 6 in F major, K 43: I. Allegro6:24
  481. 23Symphony no. 6 in F major, K 43: II. Andante5:59
  482. 24Symphony no. 6 in F major, K 43: III. Menuetto - Trio2:15
  483. 25Symphony no. 6 in F major, K 43: IV. Allegro3:49
  484. 1Symphony no. 7 in D major, K 45: I. Molto allegro2:37
  485. 2Symphony no. 7 in D major, K 45: II. Andante2:09
  486. 3Symphony no. 7 in D major, K 45: III. Menuetto - Trio3:52
  487. 4Symphony no. 7 in D major, K 45: IV. Molto allegro2:35
  488. 5“Te Deum laudmaus!” (Leopold Mozart)1:51
  489. 6Symphony no. 43 in F major, K 76 (42a): I. Allegro maestoso4:53
  490. 7Symphony no. 43 in F major, K 76 (42a): II. Andante3:05
  491. 8Symphony no. 43 in F major, K 76 (42a): III. Menuetto - Trio3:16
  492. 9Symphony no. 43 in F major, K 76 (42a): IV. Allegro3:12
  493. 10“Ich erfuhr, dass alle Clavieristen und Componisten in Wien” (Leopold Mozart)1:39
  494. 11Symphony no. 55 in B-flat major, K Anh 214 (45b): I. Allegro2:16
  495. 12Symphony no. 55 in B-flat major, K Anh 214 (45b): II. Andante3:31
  496. 13Symphony no. 55 in B-flat major, K Anh 214 (45b): III. Menuetto - Trio3:08
  497. 14Symphony no. 55 in B-flat major, K Anh 214 (45b): IV. Allegro3:48
  498. 15“Was die Rettung der Ehre meines Kindes erheischet” (Leopold Mozart)1:02
  499. 16Symphony no. 8 in D major, K 48: I. Allegro4:41
  500. 17Symphony no. 8 in D major, K 48: II. Andante2:26
  501. 18Symphony no. 8 in D major, K 48: III. Menuetto - Trio4:07
  502. 19Symphony no. 8 in D major, K 48: IV. Allegro3:20
  503. 20“Freundin! Ich bitte um Verzeihung” (Wolfgang Amadeus Mozart)0:43
  504. 21Symphony no. 9 in C major, K 73 (75a): I. Allegro3:24
  505. 22Symphony no. 9 in C major, K 73 (75a): II. Andante3:59
  506. 23Symphony no. 9 in C major, K 73 (75a): III. Menuetto - Trio2:37
  507. 24Symphony no. 9 in C major, K 73 (75a): IV. Molto allegro1:50
  508. 1First travels, 1762/63 (Leopold & Nannerl Mozart) - Symphony no. 1 in E-flat major, K 16: I. Molto allegro8:30
  509. 2Travels through Germany, July - November 1763 (Leopold Mozart) - Symphony no. 1 in E-flat major, K 16: II. Andante5:10
  510. 3First travel to Paris, 1763/64 (Leopold & Nannerl Mozart)4:42
  511. 4Travel to London, 1764/66 (Leopold & Nannerl Mozart) - Symphony no. 5 in B-flat major, K22: III. Molto allegro8:18
  512. 5Munich, November 10, 1766 (Leopold Mozart) - Symphony no. 43 in F major, K 76 (42a): I. Allegro maestoso2:10
  513. 6Olomouc (Olmütz), November 10, 1767 (Leopold Mozart) - Symphony no. 6 in F major, K 43: III. Menuetto - Trio5:08
  514. 7Vienna, January & September 1768 (Leopold Mozart) - Symphony no. 8 in D major, K 48: II. Andante8:59
  515. 8First letter, Salzburg, ca. 1769 (Wolfgang Amadeus Mozart) - Symphony no. 8 in D major, K 48: II. Andante1:08
  516. 9First travel to Italy, 1769/70 (Leopold & Wolfgang Amadeus Mozart)5:26
  517. 10Milan, February / March 1770 (Leopold & Wolfgang Amadeus Mozart) - Symphony no. 9 in C major, K 73 (75a): I. Allegro5:06
  518. 11First travel to Rome, April / May 1770 (Leopold & Wolfgang Amadeus Mozart)5:16
  519. 12Naples, May / June 1770 (Leopold & Wolfgang Amadeus Mozart)2:56
  520. 13Second stay in Rome, July / August 1770 (Leopold & Wolfgang Amadeus Mozartq) - Symphony no. 47 in D major, K 97 (73m): IV. Presto4:28
  521. 14Milan II, 1770/71 (Leopold & Wolfgang Amadeus Mozart)6:29
  522. 15Milan III, 1771/72 (Leopold & Wolfgang Amadeus Mozart) - Symphony no. 25 in G minor, K 183 (173dB): I. Allegro con brio6:08
  523. 1“Was mich vergnügt...” (Leopold Mozart, Bologna, March 27, 1770) / “Wenn man die Sau nennt, so kommt sie gerent” (Wolfgang Amadeus Mozart, MIlan, February 10, 1770)0:58
  524. 2Symphony no. 47 in D major, K 97 (73m): I. Allegro2:47
  525. 3Symphony no. 47 in D major, K 97 (73m): II. Andante2:35
  526. 4Symphony no. 47 in D major, K 97 (73m): III. Menuetto - Trio2:37
  527. 5Symphony no. 47 in D major, K 97 (73m): IV. Presto1:25
  528. 6“Dieser Monat ist in der grösten Geschwindickeit hingeflossen” (Leopold Mozart, Milan September 28, 1771) / “Allerliebste Schwester” (Wolfgang Amadeus Mozart, Milan, February 10, 1770)1:12
  529. 7Symphony no. 48 in D major: I. Allegro assai3:53
  530. 8Symphony no. 48 in D major: II. Andante grazioso1:29
  531. 9Symphony no. 48 in D major: III. Finale. Presto1:01
  532. 10“Von unsern Sachen mag ich dir nichts schreiben” (Leopold Mozart, Rome, April 21, 1770) / “Ich bin got lob und danck samt meiner miserablen feder gesund” (Wolfgang Amadeus Mozart, Rome, April 14, 1770)1:14
  533. 11Symphony no. 15 in G major, K 124: I. Allegro5:19
  534. 12Symphony no. 15 in G major, K 124: II. Andante4:21
  535. 13Symphony no. 15 in G major, K 124: III. Menuetto - Trio2:16
  536. 14Symphony no. 15 in G major, K 124: IV. Presto2:00
  537. 15“Dies ist der 3te Brief den ich dir von Neapl schreibe” (Leopold Mozart, Naples, May 26, 1770) / “Cara sorella mia” (Wolfgang Amadeus Mozart, Naples, July 5, 1770)1:15
  538. 16Symphony no. 50 in D major, K 161 (141a): I. Allegro moderato3:27
  539. 17Symphony no. 50 in D major, K 161 (141a): II. Andante1:51
  540. 18Symphony no. 50 in D major, K 161 (141a): III. Presto1:44
  541. 19“Wir sollen morgen eine Neuigkeit erfahren” (Leopold Mozart) / “p:s: an alle gute freund” (Wolfgang Amadeus Mozart, Rome, July 4/7, 1770)1:09
  542. 20Symphony no. 22 in C major, K 162: I. Allegro assai3:56
  543. 21Symphony no. 22 in C major, K 162: II. Andantino2:47
  544. 22Symphony no. 22 in C major, K 162: III. Presto assai1:48
  545. 23“Ich kann ohnmöglich schöner schreiben” (Wolfgang Amadeus Mozart, Bologna, August 4, 1770)0:28
  546. 24Symphony no. 26 in E-flat major, K 184 (161a): I. Molto presto2:54
  547. 25Symphony no. 26 in E-flat major, K 184 (161a): II. Andante - attacca3:06
  548. 26Symphony no. 26 in E-flat major, K 184 (161a): III. Allegro2:15
  549. 1Symphony no. 27 in G major, K 199 (161b): I. Allegro6:41
  550. 2Symphony no. 27 in G major, K 199 (161b): II. Andantino grazioso10:06
  551. 3Symphony no. 27 in G major, K 199 (161b): III. Presto5:20
  552. 4“Ich denke hin und her” (Leopold Mozart, Bologna, August 11, 1770)1:16
  553. 5Symphony no. 25 in G minor, K 183 (173 dB): I. Allegro con brio10:45
  554. 6Symphony no. 25 in G minor, K 183 (173 dB): II. Andante6:07
  555. 7Symphony no. 25 in G minor, K 183 (173 dB): III. Menuetto - Trio3:34
  556. 8Symphony no. 25 in G minor, K 183 (173 dB): IV. Allegro6:59
  557. 9“Nun will ich dir ausführkicher schreiben” (Leopold Mozart, Verona, August 18, 1771) / “Allerliebste Schwester” (Wolfgang Amadeus Mozart, Verona, August 24, 1771)1:33
  558. 10Symphony no. 51 in D major: I. Allergro molto2:32
  559. 11Symphony no. 51 in D major: II. Andantino grazioso2:13
  560. 12Symphony no. 51 in D major: III. Allegro2:21
  561. 13“Vielleicht wird von dem grossen Beyfahl” (Leopold Mozart, Milan, October 26, 1771)0:49
  562. 14Sinfonie-Menuett in C major, K 409 (383f): Menuetto - Trio7:06
  563. 15“Allerliebste schwester! Ich bin auch gott lob und danck gesund” (Wolfgang Amadeus Mozart, Milan, October 26, 1771)0:38
  564. 1Symphony no. 26 in E-flat major, K 184 (161a): I. Molto presto / II. Andante / III. Allegro8:11
  565. 2Zaide, K 344 (336b): Act I. Introduction: “Jetzt hören Sie doch auft...” (narrator)5:12
  566. 3Zaide, K 344 (336b): Act I. No. 1 Chorus of the 4 slaves: “Brüder, lasst uns lustig sein”0:58
  567. 4Zaide, K 344 (336b): Act I. No. 2 Melologue: “Was für ein Schicksall” (Gomatz)6:46
  568. 5Zaide, K 344 (336b): Act I. Intermediate Text: “Dieser ohnmächtige, kraftlose, matte Gomatz” (narrator)2:20
  569. 6Zaide, K 344 (336b): Act I. No. 3 Aria: “Ruhe sanft, mein holdes Leben” (Zaide)7:15
  570. 7Zaide, K 344 (336b): Act I. No. 4 Aria: “Rase, Schicksal, wüte immer” (Gomatz)4:20
  571. 8Zaide, K 344 (336b): Act I. Intermediate Text: “Zaide hat ihn natürlich heimlich beobachtet” (narrator)0:51
  572. 9Zaide, K 344 (336b): Act I. No. 5 Duet: “Meine Seele hüpft vor Freuden” (Zaide, Gomatz)2:36
  573. 10Zaide, K 344 (336b): Act I. Intermediate Text: “Ach, die beiden haben ein Glück” (narrator)1:05
  574. 11Zaide, K 344 (336b): Act I. No. 6 Aria: “Herr und Freund, wie dank' ich dir!” (Gomatz)3:44
  575. 12Zaide, K 344 (336b): Act I. Intermediate Text: “Und in Allazim entbrennt nun auch ein Kampf” (narrator)0:24
  576. 13Zaide, K 344 (336b): Act I. No. 7 Aria: “Nur mutig, mein Herze” (Allazim)4:29
  577. 14Zaide, K 344 (336b): Act I. Intermediate Text: “Und Zaide ist jetzt weider dazugekommen” (narrator)0:42
  578. 15Zaide, K 344 (336b): Act I. No. 8 Trio: “O selige Wonne” (Zaide, Gomatz, Allazim)6:10
  579. 1Zaide, K 344 (336b): Act II. Intermediate Text: “Ja, und wie's der Teufel halt so will” (narrator)1:52
  580. 2Zaide, K 344 (336b): Act II. No. 9 Melologue & Aria: “Zaide geflohen!” (Soliman, narrator)7:58
  581. 3Zaide, K 344 (336b): Act II. Intermediate Text: “Natürlich ist auch Soliman, wie alle Reichen” (narrator)1:14
  582. 4Zaide, K 344 (336b): Act II. No. 10 Aria: “Wer hungrig bei der Tafel sitzt” (Osmin)3:44
  583. 5Zaide, K 344 (336b): Act II. Intermediate Text: “Für Soliman ist der Fall klar” (narrator)0:52
  584. 6Zaide, K 344 (336b): Act II. No. 11 Aria: “Ich bin so bös als gut” (Soliman)5:44
  585. 7Zaide, K 344 (336b): Act II. Intermediate Text: “Jetzt wird's eng für Zaide” (narrator)0:56
  586. 8Zaide, K 344 (336b): Act II. No. 12 Aria: “Treulos schluchzet Philomele” (Zaide)7:04
  587. 9Zaide, K 344 (336b): Act II. Intermediate Text: “Jetzt dreht sich's um Zaide weint, schluchzt, klagt” (narrator)1:05
  588. 10Zaide, K 344 (336b): Act II. No. 13 Aria: “Tiger! Wetze nur die Klauen” (Zaide)4:38
  589. 11Zaide, K 344 (336b): Act II. Intermediate Text: “Allazim stößt ins gleiche Horn” (narrator)0:39
  590. 12Zaide, K 344 (336b): Act II. No. 14 Aria: “Ihr Mächtigen seht ungerührt” (Allazim)4:32
  591. 13Zaide, K 344 (336b): Act II. Intermediate Text: “Das letzte Quartett!” (narrator)1:11
  592. 14Zaide, K 344 (336b): Act II. No. 15 Quartet: “Freundin, stille deine Tränen” (Gomatz, Allazim, Soliman, Zaide)7:07
  593. 15Zaide, K 344 (336b): Act II. Finale: “Und hier, am tiefsten Punkt des Konflikts” (narrator)3:20
  594. 1March in D major, K 335/1 (K 320a/1)4:01
  595. 2Serenade in D major “Posthorn-Serenade”, K 320: I. Adagio Maestoso - Allegro con spirito8:46
  596. 3Serenade in D major “Posthorn-Serenade”, K 320: II. Menuetto. Allegro - Trio5:26
  597. 4Serenade in D major “Posthorn-Serenade”, K 320: III. Concertante. Andante grazioso8:36
  598. 5Serenade in D major “Posthorn-Serenade”, K 320: IV. Rondeau. Allegro ma non troppo6:30
  599. 6Serenade in D major “Posthorn-Serenade”, K 320: V. Andantino6:27
  600. 7Serenade in D major “Posthorn-Serenade”, K 320: VI. Menuetto - Trio I - Trio II5:11
  601. 8Serenade in D major “Posthorn-Serenade”, K 320: VII. Finale. Presto4:25
  602. 9Symphony no. 35 in D major “Haffner”, K 385: I. Allegro con spirito6:07
  603. 10Symphony no. 35 in D major “Haffner”, K 385: II. Andante8:07
  604. 11Symphony no. 35 in D major “Haffner”, K 385: III. Menuetto - Trio3:39
  605. 12Symphony no. 35 in D major “Haffner”, K 385: IV. Presto4:11
  606. 1Concerto for Piano and Orchestra no. 25 in C major, K 503: I. Allegro maestoso15:05
  607. 2Concerto for Piano and Orchestra no. 25 in C major, K 503: II. Andante6:48
  608. 3Concerto for Piano and Orchestra no. 25 in C major, K 503: III. [Allegretto]8:41
  609. 4Concerto for Piano and Orchestra no. 23 in A major, K 488: I. Allegro11:01
  610. 5Concerto for Piano and Orchestra no. 23 in A major, K 488: II. Adagio6:15
  611. 6Concerto for Piano and Orchestra no. 23 in A major, K 488: III. Allegro assai8:17
  612. 1Concerto for Piano and Orchestra no. 24 in C minor, K 491: I. Allegro15:29
  613. 2Concerto for Piano and Orchestra no. 24 in C minor, K 491: II. [Larghetto]7:47
  614. 3Concerto for Piano and Orchestra no. 24 in C minor, K 491: III. [Allegretto]9:52
  615. 4Concerto for Piano and Orchestra no. 17 in G major, K 453: I. Allegro13:10
  616. 5Concerto for Piano and Orchestra no. 17 in G major, K 453: II. Andante11:58
  617. 6Concerto for Piano and Orchestra no. 17 in G major, K 453: III. Allegretto - Finale. Presto8:18
  618. 1Symphony no. 39 in E-flat major, K 543: I. Adagio - Allegro10:42
  619. 2Symphony no. 39 in E-flat major, K 543: II. Andante con moto7:36
  620. 3Symphony no. 39 in E-flat major, K 543: III. Menuetto. Allegretto - Trio3:51
  621. 4Symphony no. 39 in E-flat major, K 543: IV. Finale. Allegro8:21
  622. 5Symphony no. 40 in G minor, K 550: I. Molto allegro7:27
  623. 6Symphony no. 40 in G minor, K 550: II. Andante12:08
  624. 7Symphony no. 40 in G minor, K 550: III. Menuetto. Allegretto - Trio4:19
  625. 8Symphony no. 40 in G minor, K 550: IV. Allegro assai10:37
  626. 1Symphony no. 41 in C major “Jupiter”, K 551: I. Allegro vivace13:00
  627. 2Symphony no. 41 in C major “Jupiter”, K 551: II. Andante cantabile9:30
  628. 3Symphony no. 41 in C major “Jupiter”, K 551: III. Menuetto. Allegretto - Trio5:14
  629. 4Symphony no. 41 in C major “Jupiter”, K 551: IV. Molto allegro11:39
  630. 1Requiem in D minor, K 626 (unfinished): I. Introitus: Requiem (chorus, soprano)4:58
  631. 2Requiem in D minor, K 626 (unfinished): II. Kyrie: Kyrie (chorus)2:56
  632. 3Requiem in D minor, K 626 (unfinished): III. Sequentia: Dies irae (chorus)1:50
  633. 4Requiem in D minor, K 626 (unfinished): III. Sequentia: Tuba mirum (soprano, alto, tenor, bass)3:52
  634. 5Requiem in D minor, K 626 (unfinished): III. Sequentia: Rex tremendae (chorus)1:58
  635. 6Requiem in D minor, K 626 (unfinished): III. Sequentia: Recordare (soprano, alto, tenor, bass)6:20
  636. 7Requiem in D minor, K 626 (unfinished): III. Sequentia: Confutatis (chorus)2:36
  637. 8Requiem in D minor, K 626 (unfinished): III. Sequentia: Lacrimosa (chorus)3:08
  638. 9Requiem in D minor, K 626 (unfinished): IV. Offertorium: Domine Jesu Christe (chorus, soprano, alto, tenor, bass)3:50
  639. 10Requiem in D minor, K 626 (unfinished): IV. Offertorium: Hostias (chorus)3:03
  640. 11Requiem in D minor, K 626 (unfinished): V. Sanctus: Sanctus (chorus)1:20
  641. 12Requiem in D minor, K 626 (unfinished): VI. Benedictus: Benedictus (chorus, soprano, alto, tenor, bass)5:20
  642. 13Requiem in D minor, K 626 (unfinished): VII. Agnus Dei: Agnus Dei (chorus)3:24
  643. 14Requiem in D minor, K 626 (unfinished): VIII. Communio: Lex aeterna (chorus, soprano)5:46
  644. 1Christus am Ölberge, op. 85: No. 1 Introduction5:42
  645. 2Christus am Ölberge, op. 85: No. 1 Recitative: “Jehovah, du mein Vater!” (Jesus)3:35
  646. 3Christus am Ölberge, op. 85: No. 1 Aria: “Meine Seele ist erschüttert” (Jesus)5:05
  647. 4Christus am Ölberge, op. 85: No. 2 “Erzittre, Erde!” (Seraph)1:33
  648. 5Christus am Ölberge, op. 85: No. 2 Aria: “Preist des Erlösers Güte” (Seraph) / Chorus: “O Heil euch, ihr Erlösten!” (Seraph & angels)8:32
  649. 6Christus am Ölberge, op. 85: No. 3 Recitative: “Verkündet, Seraph” (Jesus, Seraph)1:03
  650. 7Christus am Ölberge, op. 85: No. 3 Duet: “So ruhe denn mit ganzer Schwere” (Jesus, Seraph)5:24
  651. 8Christus am Ölberge, op. 85: No. 4 Recitative: “Willkommen, Tod!” (Jesus)1:10
  652. 9Christus am Ölberge, op. 85: No. 4 Chorus: “Wir haben ihn gesehen” (warriors)1:55
  653. 10Christus am Ölberge, op. 85: No. 5 “Die mich zu fangen ausgezogen sind” (Jesus)1:31
  654. 11Christus am Ölberge, op. 85: No. 5 Chorus: “Hier ist er” (warriors & disciples)2:05
  655. 12Christus am Ölberge, op. 85: No. 6 “Nicht ungestraft soll der Verweg'nen Schar” (Peter, Jesus)1:17
  656. 13Christus am Ölberge, op. 85: No. 6 Trio: “In meinen Adern wühlen” (Peter, Jesus, Seraph)4:26
  657. 14Christus am Ölberge, op. 85: No. 6 Chorus: “Auf, auf! ergreifet den Verräter” (warriors, disciples, Jesus)3:11
  658. 15Christus am Ölberge, op. 85: No. 6 Final Chorus: “Welten singen” (angels)1:09
  659. 16Christus am Ölberge, op. 85: No. 6 “Preiset, ihn, ihr Engelschöre!” (angels)3:04
  660. 1Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace12:30
  661. 2Symphony no. 4 in B-flat major, op. 60: II. Adagio9:28
  662. 3Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace - Trio. Un poco meno allegro6:01
  663. 4Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo7:03
  664. 5Symphony no. 5 in C minor, op. 67: I. Allegro con brio7:24
  665. 6Symphony no. 5 in C minor, op. 67: II. Andante con moto9:06
  666. 7Symphony no. 5 in C minor, op. 67: III. Allegro - attacca8:18
  667. 8Symphony no. 5 in C minor, op. 67: IV. Allegro10:57
  668. 1Missa solemnis, op. 123: I. Kyrie: “Kyrie”. Assai sostenuto. Mit Andacht [𝄵] - Andante assai ben marcato [3/2] - Tempo I [𝄵]9:56
  669. 2Missa solemnis, op. 123: II. Gloria: “Gloria”. Allegro vivace [3/4] - Meno Allegro - Tempo I - attacca5:48
  670. 3Missa solemnis, op. 123: II. Gloria: “Qui tollis”. Larghetto [2/4] - attacca4:56
  671. 4Missa solemnis, op. 123: II. Gloria: “Quoniam”. Allegro maestoso [3/4] - Allegro, ma non troppo e ben marcato [𝄴] - Poco più Allegro [𝄵] - Presto [3/4]7:04
  672. 5Missa solemnis, op. 123: III. Credo: “Credo”. Allegro ma non troppo [𝄴] - attacca4:14
  673. 6Missa solemnis, op. 123: III. Credo: “Et incarnatus”. Adagio [𝄴] - Andante [3/4] Adagio espressivo [3/4] - attacca5:01
  674. 7Missa solemnis, op. 123: III. Credo: “Et resurrexit”. Allegro [𝄴] - Allegro molto [𝄵] - Allegro ma non troppo un poco maestoso. Tempo I - Allegretto ma non troppo [3/2] 0 Allegro con moto [3/2] - Grave [3/2]10:41
  675. 8Missa solemnis, op. 123: IV. Sanctus: “Pleni sunt coeli - Osanna”. Adagio. Mit Andacht [2/4] - Allegro pesante [𝄴] - Presto [3/4] - Preso [3/4] - attacca3:44
  676. 9Missa solemnis, op. 123: IV. Benedictus: Praeludium - “Benedictus”. Sostenuto ma non troppo [3/4] - Andante molto cantabile e non troppo mosso [12/8]13:07
  677. 10Missa solemnis, op. 123: V. Agnus Dei: “Agnus Dei”. Adagio [𝄴] - attacca7:05
  678. 11Missa solemnis, op. 123: V. Agnus Dei “Dona nobis pacem”. Bitte um innern und äußern Frieden. Allegretto vivace [6/8] - Allegro assai [𝄴] - Recitativo - Tempo I - Presto [𝄵] - Tempo I9:57
  679. 1Das Paradies und die Peri, op. 50: Part I. No. 1 “Vor Edens Tor im Morgen prangen” (alto)3:13
  680. 2Das Paradies und die Peri, op. 50: Part I. No. 2 “Wie glücklich sie wanderln” (Peri)2:44
  681. 3Das Paradies und die Peri, op. 50: Part I. No. 3 “Der hehre Engel, der die Pforte” (tenor, Angel)1:58
  682. 4Das Paradies und die Peri, op. 50: Part I. No. 4 “Wo find ich sie?” (Peri)2:39
  683. 5Das Paradies und die Peri, op. 50: Part I. No. 5 “So sann sie nach” (tenor) / “O süßes Land!” (quartet)1:25
  684. 6Das Paradies und die Peri, op. 50: Part I. No. 6 “Doch seine Ströme sind jetzt rot” (chorus)3:24
  685. 7Das Paradies und die Peri, op. 50: Part I. No. 7 “Und einsam steht ein Jüngling noch”2:52
  686. 8Das Paradies und die Peri, op. 50: Part I. No. 8 “Weh, weh, weh, er fehlte das Ziel” (chorus)2:13
  687. 9Das Paradies und die Peri, op. 50: Part I. No. 9 “Die Peri sah das Mal der Wunde” (tenor, Peri, quartet, chorus)6:42
  688. 10Das Paradies und die Peri, op. 50: Part II. No. 10 “Die Peri tritt mit schüchterner Gebärde” (tenor, Angel)3:17
  689. 11Das Paradies und die Peri, op. 50: Part II. No. 11 “Ihn erstes Himmelshoffen schwand” (tenor, chorus, Peri)3:50
  690. 12Das Paradies und die Peri, op. 50: Part II. No. 12 “Fort streift von hier das Kind der Lüfte” (tenor, Peri)3:31
  691. 13Das Paradies und die Peri, op. 50: Part II. No. 13 “Die Peri weint, von ihrer Tränen scheint” (tenor, quartet)2:42
  692. 14Das Paradies und die Peri, op. 50: Part II. No. 14 “Im Waldesgrün am stillen See” (alto, Young Man)3:03
  693. 15Das Paradies und die Peri, op. 50: Part II. No. 15 “Verlassener Jüngling, nur das eine” (mezzo-soprano, tenor, Young Man)4:35
  694. 16Das Paradies und die Peri, op. 50: Part II. No. 16 “O lass mich von der Luft durchdringen” (Maiden, tenor)4:52
  695. 17Das Paradies und die Peri, op. 50: Part II. No. 17 “Schlaf nunn und ruhe in Träumen voll Duft” (Peri, chorus)3:49
  696. 1Das Paradies und die Peri, op. 50: Part III. No. 18 “Schmücket die Stufen zu Allahs Thron” (chorus, soloists, soprano)3:10
  697. 2Das Paradies und die Peri, op. 50: Part III. No. 19 “Dem Sang von ferne lauschend” (tenor, Angel)3:03
  698. 3Das Paradies und die Peri, op. 50: Part III. No. 20 “Verstoßen! Verschlossen aufs Neu das Goldportal!” (Peri)4:27
  699. 4Das Paradies und die Peri, op. 50: Part III. No. 21 “Jetzt sank des Abends goldner Schein” (baritone)4:25
  700. 5Das Paradies und die Peri, op. 50: Part III. No. 22 “Und wie sie niederwärts sich schwingt” (tenor, quartet, baritone)3:59
  701. 6Das Paradies und die Peri, op. 50: Part III. No. 23 “Hinab zu jenem Sonnentempel!” (Peri, tenor, mezzo-soprano, Man)6:53
  702. 7Das Paradies und die Peri, op. 50: Part III. No. 24 “O heil'ge Tränen inn'ger Reue” (quartet, chorus)4:12
  703. 8Das Paradies und die Peri, op. 50: Part III. No. 25 “Es fällt ein Tropfen aufs Land” (Peri, tenor, chorus)7:20
  704. 9Das Paradies und die Peri, op. 50: Part III. No. 26 “Freud', ew'ge Freude, main Werk ist getan!” (Peri, chorus)6:55
  705. 1Messa da Requiem: I. Requiem & Kyrie (chorus, soloists)8:36
  706. 2Messa da Requiem: II. Sequence: Dies irae: “Dies irae” (chorus)2:34
  707. 3Messa da Requiem: II. Sequence: Dies irae: “Tuba mirum” (chorus, bass)3:33
  708. 4Messa da Requiem: II. Sequence: Dies irae: “Liber scriptus” (mezzo-soprano, chorus)5:20
  709. 5Messa da Requiem: II. Sequence: Dies irae: “Quid sum miser” (soprano, mezzo-soprano, tenor)3:51
  710. 6Messa da Requiem: II. Sequence: Dies irae: “Rex tremendae” (chorus, soloists)3:38
  711. 7Messa da Requiem: II. Sequence: Dies irae: “Recordare” (soprano, mezzo-soprano)4:17
  712. 8Messa da Requiem: II. Sequence: Dies irae: “Ingemisco” (tenor)3:43
  713. 9Messa da Requiem: II. Sequence: Dies irae: “Confutatis” (bass, chorus)5:57
  714. 10Messa da Requiem: II. Sequence: Dies irae: “Lacrymosa” (soloists, chorus)5:46
  715. 1Messa da Requiem: III. Offertorio: “Domine Jesu” (soloists)4:52
  716. 2Messa da Requiem: III. Offertorio: “Hostias” (soloists)5:58
  717. 3Messa da Requiem: IV. Sanctus (chorus)3:01
  718. 4Messa da Requiem: V. Agnus Dei (soprano, mezzo-soprano, chorus)4:55
  719. 5Messa da Requiem: VI. Lux Aeterna (mezzo-soprano, tenor, bass)6:29
  720. 6Messa da Requiem: VII. Libera me (soprano, chorus)2:39
  721. 7Messa da Requiem: VII. Libera me: “Dies irae” (chorus)5:41
  722. 8Messa da Requiem: VII. Libera me: “Libera me” (soprano, chorus)6:50
  723. 1Symphony no. 5 in B-flat major, WAB 105: I. Introduction. Adagio - Allegro20:34
  724. 2Symphony no. 5 in B-flat major, WAB 105: II. Adagio. Sehr langsam14:57
  725. 3Symphony no. 5 in B-flat major, WAB 105: III. Scherzo. Molto vivace (Schnell) - Trio. Im gleichen Tempo13:35
  726. 4Symphony no. 5 in B-flat major, WAB 105: IV. Finale. Adagio - Allegro moderato23:59
  727. 1Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. I, mm. 1-22 “Vor den Sechzehnteln bitte wegfedern!”2:46
  728. 2Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. I, mm. 161-224 “Die Synopken so, als würden wir mit Ellenbogen”4:38
  729. 3Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. I, mm. 315-319, 325-327, 381-398 “Kann ich einmal nur diesen kleinen, ganz schnellen Holz-Kanon haben?”1:58
  730. 4Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 31-38, 107-124 “Gehen wir bitte gleich zum zweiten Satz, und zwar wo er eigentlich anfängtm Takt 31...”4:12
  731. 5Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 163-196, 203-211 “Von 169 bis 170, diese Harmoniefolge, die kommt aus dem Mozart-Requiem: 'Qua resurget ex favilla homo reus'...”8:57
  732. 6Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 1-18, 39-70 “So, jetzt gehen wir zu dem Anfang von dem Satz...”3:24
  733. 7Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 71-84, 101-144, 195-202 “Geben Sie mir bitte einmal nur die Triolen, nur Steicher von 'D'...”4:44
  734. 8Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. III, Scherzo, mm. 1-39, 133-187 “Ich hätte gern wirklich so einen magischen Schnelltanz...”6:25
  735. 9Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. III, Scherzo, mm. 341-382; Trio, mm. 1-55 “Können Sie ein bisschen so eine oberösterrechische Melancholie hineinbringen?”2:36
  736. 10Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. III, Trio, mm. 56-1479; Scherzo da capo, mm. 1-132 “Jetzt spielen Sie bitte wirklich 'Um-Pa'!”6:28
  737. 11Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 1-22, 29-36, 67-82 “Es muss die Eins immer sehr energisch sein und die Zwei etwas weniger...”7:01
  738. 12Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 83-136, 137-165 “Tutti von 'Etwas mehr langsam'...”5:41
  739. 13Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 175-210, 223-231 “Stellen Sie sich zu dem Choral einen Text vor: 'Was Gott tut, das ist wohl getan...'”3:34
  740. 14Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 310-340 “Jeder von diesen Einsätzen muss klingen, als, wäre er eine Eins...”2:59
  741. 15Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 362-373, 450-499, 500-635 “Schön wäre es, wenn man eine totale Erschöpfung hört auf diesem Des...”9:24
  742. 1Symphony no. 9 in D minor, WAB 109 (unfinished): I. Feierlich, misterioso24:17
  743. 2Symphony no. 9 in D minor, WAB 109 (unfinished): II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo da capo10:39
  744. 3Symphony no. 9 in D minor, WAB 109 (unfinished): III. Adagio. Langsam, feierlich23:56
  745. 1Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Warum hat man eigentlich 100 Jahre lang gedacht, es gäbe nichts von diesem 4. Satz?”11:13
  746. 2Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation, T. 1-2789:15
  747. 3Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Gegen Ende eine extreme Dissonanz in den Trompeten”2:21
  748. 4Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Nach dem Ende der Durchfährung folgt eine wilde Fuge”0:51
  749. 5Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation, T. 279-3422:26
  750. 6Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Quasi ein Schreckensbild des Todes”1:53
  751. 7Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation, T. 343-4784:45
  752. 8Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Danach fehlen 16 Takte; dazu ist nichts zu erklären; wir spielen einfach nicht”1:49
  753. 9Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation T. 479-510 - Lücke / fehlender Partiturbogen - T. 511-5261:42
  754. 10Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “Wy did we think for over a hundred years that nothing of this finale existed?”10:52
  755. 11Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation, mm. 1-2789:15
  756. 12Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “Extreme dissonances in the trumpets towards the end of the block”2:25
  757. 13Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “At the end of the development a wild fugue begins”0:41
  758. 14Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation, mm. 279-3422:25
  759. 15Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “A sudden vision of death”1:47
  760. 16Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation, mm. 343-4784:43
  761. 17Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “Then there are sixteen bars missing; we will just leave them out”1:40
  762. 18Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation mm. 479-510 - gap/missing score bifolio - mm. 511-5261:37
  763. 1Má vlast: Vyšehrad. Lento - Largo maestoso - Grandioso poco largamente - Allegro vivo ma non agitato - Lento ma non troppo15:55
  764. 2Má vlast: Vltava. Allegro comodo non agitato - L'istesso temp ma moderato - L'istesso tempo - Tempo I - Più moto12:54
  765. 3Má vlast: Šárka. Allegro con fuoco ma non agitato - Più moderato assai - Moderato ma con calore - Moderato - Molto vivo - Più vivo10:41
  766. 1Má vlast: Zčesk ých luhů a hájů. Molto moderato - Allegro poco vivo, ma non troppo - Allegro (Quasi Polka) - Tempo I - Allegro - Presto13:52
  767. 2Má vlast: Tábor. Lento - Grandioso - Molto vivace - Lento - Molto vivace - Lento maestoso - Più animato14:25
  768. 3Má vlast: Blanik. Allegro moderato - Andante non troppo - Più allegro ma non molto - Tempo di marcia - Grandioso - Tempo I - Largamente maestoso - Grandioso, meno Allegro - Vivace15:27
  769. 1Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen”. Ziemlich langsam und mit Ausdruck (chorus)9:58
  770. 2Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras”. Langsam, marschmäßig (chorus)16:03
  771. 3Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich, dass ein Ende mit mir haben muss”. Andante bewegt (baritone, chorus)10:48
  772. 4Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind deine Wohnungen”. Mäßig bewegt (chorus)5:54
  773. 5Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit”. Langsam (soprano, chorus)7:01
  774. 6Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt”. Andante - Allegro (baritone, chorus)12:36
  775. 7Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten, die in dem Herren sterben”. Feierlich (chorus)9:46
  776. 1Stabat Mater, op. 58: No. 1 Quartet & Chorus: “Stabat Mater dolorosa”. Andante con moto20:38
  777. 2Stabat Mater, op. 58: No. 2 Quartet: “Quis est homo qui non fieret”. Andante sostenuto11:35
  778. 3Stabat Mater, op. 58: No. 3 Chorus: “Eia, Mater, fons, amoris”. Andante con moto7:12
  779. 4Stabat Mater, op. 58: No. 4 Bass & Chorus: “Fac ut ardeat cor meum”. Largo9:15
  780. 1Stabat Mater, op. 58: No. 5 Chorus: “Tui nati vulnerati”. Andante con moto, quasi allegretto5:14
  781. 2Stabat Mater, op. 58: No. 6 Tenor & Chorus: “Fac me vere tecum flere”. Andante con moto6:59
  782. 3Stabat Mater, op. 58: No. 7 Chorus: “Virgo virginum praeclara”. Largo6:51
  783. 4Stabat Mater, op. 58: No. 8 Soprano & Tenor Duet: “Fac ut portem Christi mortem”. Larghetto5:26
  784. 5Stabat Mater, op. 58: No. 9 Alto: “Inflammatus et accesnsus”. Andante maestoso6:10
  785. 6Stabat Mater, op. 58: No. 10 Quartet & Chorus: “Quando corpus morietur”. Andante con moto7:40
  786. 1Music for Strings, Percussion and Celesta, Sz 106: I. Andante tranquillo9:10
  787. 2Music for Strings, Percussion and Celesta, Sz 106: II. Allegro7:49
  788. 3Music for Strings, Percussion and Celesta, Sz 106: III. Adagio8:05
  789. 4Music for Strings, Percussion and Celesta, Sz 106: IV. Allegro molto8:08
  790. 5Divertimento for String Orchestra, Sz 113: I. Allegro non troppo9:17
  791. 6Divertimento for String Orchestra, Sz 113: II. Molto adagio10:12
  792. 7Divertimento for String Orchestra, Sz 113: III. Allegro assai7:53
  793. 1Porgy & Bess: Act I, Scene 1. Introduction1:46
  794. 2Porgy & Bess: Act I, Scene 1. “Summertime and the livin' is easy” (Clara)2:15
  795. 3Porgy & Bess: Act I, Scene 1. “Seems like these bones don't give me nothin' but boxcars tonight” (Jake, Sportin' Life, Mingo, Serena, Robbins, chorus, Jim, Clara, crap shooters)4:28
  796. 4Porgy & Bess: Act I, Scene 1. “Lissen to yo' daddy warn you” - “Oh, a woman is a sometime thing” (Jake, Mingo, Sportin' Life, chorus, Peter, Lily, Maria)3:04
  797. 5Porgy & Bess: Act I, Scene 1. “Here's the ol' crap shark!” ... “No, no, brudder” (Jake, Mingo, Porgy, Sportin' Life, Robbins, Jim, Maria, Serena)4:31
  798. 6Porgy & Bess: Act I, Scene 1. “Here comes the Big Boy!” (Mingo, Jake, Jim, Crown, Sportin' Life, Serena, Bess, Robbins, Porgy, chorus)4:53
  799. 7Porgy & Bess: Act I, Scene 1. “Six to make!” (Sportin' Life, Jim, Mingo, Jake, Porgy, Crown, Robbins, Maria, Serena, Bess, chorus)4:00
  800. 8Porgy & Bess: Act I, Scene 1. “Jesus, he's killed him!” ... “That you, Sportin' Life?” (Mingo, Bess, Crown, Sportin' Life, Maria)5:04
  801. 9Porgy & Bess: Act I, Scene 2. “Where is brudder Robbins?” (woman, chorus, Man, Serena, Maria, Bess)3:38
  802. 10Porgy & Bess: Act I, Scene 2. “Come on, sister” ... “Overflow, overflow” (soprano, chorus, Jake, Peter, Serena, Maria, Porgy, Clara)3:18
  803. 11Porgy & Bess: Act I, Scene 2. “Um! A saucer-buryin' set-up, I see” (detective, Serena, Jake, Porgy, chorus)3:44
  804. 12Porgy & Bess: Act I, Scene 2. “My man's gone now” (Serena, chorus)4:16
  805. 13Porgy & Bess: Act I, Scene 2. “How de saucer stan' now, my sister?” (undertaker, Serena, Jake, Porgy, chorus)2:07
  806. 14Porgy & Bess: Act I, Scene 2. “Oh, the train is at the station” (Bess, chorus)3:07
  807. 15Porgy & Bess: Act II, Scene 1. “Oh, I'm a-goin' out to the Blackfish banks” (Jake, chorus)3:37
  808. 16Porgy & Bess: Act II, Scene 1. “Mus' be you mens forgot about de picnic” - “Oh, I got plenty o' nuttin'” (Annie, Jake, Clara, Porgy, chorus, Serena, Maria)2:13
  809. 17Porgy & Bess: Act II, Scene 1. “I got plenty o' nuttin'” (Porgy, chorus)1:18
  810. 18Porgy & Bess: Act II, Scene 1. “Listen there what I tells you” (Maria, Serena, Sportin' Life)1:23
  811. 19Porgy & Bess: Act II, Scene 1. “I hates yo' struttin' style” (Maria)1:17
  812. 20Porgy & Bess: Act II, Scene 1. “Mornin', Lawyer, lookin' for somebody?” (Maria, Frazier, Porgy, Bess, chorus, Lily, Man, Scipio, Annie, Serena)5:22
  813. 21Porgy & Bess: Act II, Scene 1. “Boy! Come here, boy!” (Archdale, Scipio, Clara, Serena, Mingo, Jake, Porgy, chorus)2:52
  814. 22Porgy & Bess: Act II, Scene 1. “Buzzard keep on flyin' over” (Porgy, chorus)3:23
  815. 1Porgy & Bess: Act II, Scene 1. “Lo, Bess, goin' to de picnic?” (Sportin' Life, Bess, Porgy)3:17
  816. 2Porgy & Bess: Act II, Scene 1. “Honey, we sure goin' strut our stuff today!” (Jake, Porgy, Bess)0:43
  817. 3Porgy & Bess: Act II, Scene 1. “Bess, you is my woman now” (Porgy, Bess)5:09
  818. 4Porgy & Bess: Act II, Scene 1. “Oh, I can't sit down” (chorus, Maria, Bess, Porgy)4:12
  819. 5Porgy & Bess: Act II, Scene 2. “I ain't got no shame doin' what I like to do” (chorus)3:09
  820. 6Porgy & Bess: Act II, Scene 2. “It ain't necessarily so” (Sportin' Life, chorus)4:30
  821. 7Porgy & Bess: Act II, Scene 2. “Shame on all you sinners” (Serena, Maria)1:53
  822. 8Porgy & Bess: Act II, Scene 2. “Crown!” ... “You know very well dis Crown!” (Bess, Crown)3:24
  823. 9Porgy & Bess: Act II, Scene 2. “Oh, what you want wid Bess?” (Bess, Crown)4:03
  824. 10Porgy & Bess: Act II, Scene 3. “Honey, dat's all de breakfast I got time for” (Jake, Nelson, Jim, Maria, chorus)2:53
  825. 11Porgy & Bess: Act II, Scene 3. “Well, if it ain' ole Peter!” (Maria, Peter, Bess, Porgy, Serena)2:24
  826. 12Porgy & Bess: Act II, Scene 3. “Oh Doctor Jesus” (Serena, Porgy, Peter, Lily)2:33
  827. 13Porgy & Bess: Act II, Scene 3. “Oh, dey's so fresh an' fine” (strawberry woman)1:11
  828. 14Porgy & Bess: Act II, Scene 3. “I'm talkin' about devil crabs” (crab man, Porgy, Maria)2:28
  829. 15Porgy & Bess: Act II, Scene 3. “Porgy, Porgy, dat you there, ain' it?” (Bess, Porgy)3:04
  830. 16Porgy & Bess: Act II, Scene 3. “If dere warn't no Crown, Bess” (Porgy, Bess)2:37
  831. 17Porgy & Bess: Act II, Scene 3. “Why you been out on that wharf so long, Clara?” (Maria, Clara)1:40
  832. 18Porgy & Bess: Act II, Scene 4. “Oh, de Lawd shake de Heavens an' de Lawd rock de groun'” (chorus, man, woman, Porgy, Clara, Serena, Sportin' Life)2:34
  833. 19Porgy & Bess: Act II, Scene 4. “One of dese mornin's you goin' to rise up singin'” (Clara, chorus)1:11
  834. 20Porgy & Bess: Act II, Scene 4. “Oh, dere's somebody knockin' at de do'” (chorus, Peter, Lily, Mingo, Maria, Bess)1:30
  835. 21Porgy & Bess: Act II, Scene 4. “You is a nice parcel of Christians” (Crown, Serena, Bess, Porgy, woman, chorus)4:06
  836. 22Porgy & Bess: Act II, Scene 4. “A red-headed woman make a choo-choo jump its track” (Crown, chorus)1:36
  837. 23Porgy & Bess: Act II, Scene 4. “Jake's boat in de river upside down!” (Bess, Clara, Crown)1:02
  838. 24Porgy & Bess: Act II, Scene 4. “All right, I'm goin' out to get Clara” ... “Oh Doctor Jesus” (Crown, Porgy, all)2:18
  839. 1Porgy & Bess: Act III, Scene 1. “Clara, Clara, don't you be downhearted” ... “You low-life skunk, ain' you got no shame” (chorus, Sportin' Life, Maria)6:23
  840. 2Porgy & Bess: Act III, Scene 1. “Summertime an' the livin' is easy” (Bess, Porgy)3:48
  841. 3Porgy & Bess: Act III, Scene 2. “Wait for us at the corner, Al” (detective, Annie, Serena, other woman, coroner, 3 women, Porgy, policeman)5:02
  842. 4Porgy & Bess: Act III, Scene 2. “Oh Gawd! They goin' make him look on Crown's face!” (Bess, Sportin' Life)2:10
  843. 5Porgy & Bess: Act III, Scene 2. “There's a boat dat's leavin' soon for New York” (Sportin' Life, Bess)4:07
  844. 6Porgy & Bess: Act III, Scene 3. Introduction1:17
  845. 7Porgy & Bess: Act III, Scene 3. Symphony of Noise4:18
  846. 8Porgy & Bess: Act III, Scene 3. “Good mornin', sistuh!” ... “It's Porgy comin' home” (man, woman, chorus, children, Mingo, Porgy)2:58
  847. 9Porgy & Bess: Act III, Scene 3. “Dem white folks sure ain' put nuttin' over on this baby” (Porgy, Lily)2:57
  848. 10Porgy & Bess: Act III, Scene 3. “Here Mingo, what's de matter wid you all?” (Porgy)1:39
  849. 11Porgy & Bess: Act III, Scene 3. “Maria, Maria, where's Bess?” (Porgy, Maria, Serena)3:19
  850. 12Porgy & Bess: Act III, Scene 3. “Where Bess gone?” (Porgy, Mingo, Maria, Serena, chorus)1:47
  851. 13Porgy & Bess: Act III, Scene 3. “Oh Lawd, I'm on my way” (Porgy, chorus)1:23
  852. 1Kaiser Franz Joseph I. Rettungs-Jubel-Marsch, op. 1263:39
  853. 2Schatz Walzer, op. 4189:00
  854. 3Niko Polka, op. 2284:05
  855. 4Scherz Polka, op. 723:45
  856. 5Delirien, op. 21210:20
  857. 6Pêle-Mêle Polka, op. 1612:21
  858. 7Aufforderung zum Tanz, op. 659:45
  859. 8Sekunden Polka, op. 2583:31
  860. 9Hellenen Polka, op. 2032:20
  861. 1Kaiser Walzer, op. 43712:01
  862. 2Bauern Polka, op. 2763:08
  863. 3Lob der Frauen, op. 3154:21
  864. 4Chineser Galopp, op. 201:52
  865. 5Ungarischer Tanz Nr. 5 g-Moll, WoO 1/52:45
  866. 6Ungarischer Tanz Nr. 6 D-Dur, WoO 1/63:42
  867. 7Krönungslieder, op. 1849:30
  868. 8Leichtes Blut, op. 3192:43
  869. 9Furioso Polka, op. 2602:34
  870. 10New Year's Address1:06
  871. 11An der schönen blauen Donau, op. 31410:19
  872. 12Radetzky-Marsch, op. 2283:32
  873. 1Kontretanz in D major, K 603/11:09
  874. 2Kontretanz in C major, K 609/11:14
  875. 3Kontretanz in C major, K 609/42:05
  876. 46 deutsche Tänze, K 571: No. 1 in D major1:29
  877. 56 deutsche Tänze, K 571: No. 2 in A minor1:23
  878. 66 deutsche Tänze, K 571: No. 3 in C major1:35
  879. 76 deutsche Tänze, K 571: No. 4 in G major1:42
  880. 86 deutsche Tänze, K 571: No. 5 in B-flat major1:33
  881. 96 deutsche Tänze, K 571: No. 6 in D major3:06
  882. 10Radetzky-Marsch, op. 228 (original version)3:38
  883. 11Kettenbrücke-Walzer, op. 46:43
  884. 12Schäfer-Quadrille, op. 2175:50
  885. 13Der Karneval in Paris, op. 100 (Walzer)2:34
  886. 14Walzer à la Paganini, op. 117:56
  887. 1Pas de neuf, WoO (after Saverio Mercadante)14:24
  888. 2Sehnsuchts-Mazur, op. 899:06
  889. 3Hans-Jörgel-Polka, op. 1943:45
  890. 4Malapou-Galopp, op. 148a1:26
  891. 5Hexen-Tanz, op. 203 (Walzer)9:36
  892. 6March from the Ballet Corso Donati4:14
  893. 7Cerrito-Polka, op. 1893:58
  894. 8Jägers Lust, op. 82 (Jagd-Galopp)2:40
  895. 9Die Schönbrunner, op. 200 (Walzer)9:08
  896. 1Die Zauberflöte, K 620: Opening Credits0:59
  897. 2Die Zauberflöte, K 620: Overture6:16
  898. 3Die Zauberflöte, K 620: Act I. No. 1 Introduction: “Zu Hilfe! Zu Hilfe!” (Tamino, 3 Ladies)7:04
  899. 4Die Zauberflöte, K 620: Act I. No. 1 Dialogue: “Wo bin ich!” (Tamino) / No. 2 Aria: “Der Vogelfänger bin ich ja” (Papageno)3:18
  900. 5Die Zauberflöte, K 620: Act I. No. 2 Dialogue: “He da!” - “Was da!” (Tamino, Papageno, 3 Ladies)5:49
  901. 6Die Zauberflöte, K 620: Act I. No. 3 Aria: “Dies Bildnis ist bezaubernd schön” (Tamino) / Dialogue: “Rüste dich mit Mut und Standhaftigkeit” (3 Ladies, Tamino)5:45
  902. 7Die Zauberflöte, K 620: Act I. No. 4 Recitative & Aria: “O zittre nicht, mein lieber Sohn!” (Queen of the Night)4:55
  903. 8Die Zauberflöte, K 620: Act I. No. 4 Dialogue: “Ist es denn auch Wirklichkeit, was ich sah” (Tamino) / No. 5 Quintet: “Hm! Hm! Hm! Hm!” (Papagenom Tamino, 3 Ladies)7:18
  904. 9Die Zauberflöte, K 620: Act I. No. 5 Dialogue: “Was soll denn das Lachen?” (slaves, Manostatos) / No. 6 Trio: “Du feines Täubchen, nur herein!” (Manostatos, Pamina, Papageno)3:30
  905. 10Die Zauberflöte, K 620: Act I. No. 6 Dialogue: “Mutter! Mutter! Mutter!” (Pamina, Papageno)5:01
  906. 11Die Zauberflöte, K 620: Act I. No. 7 Duet: “Bein Männern, welche Liebe fühlen” (Pamina, Papageno)3:53
  907. 12Die Zauberflöte, K 620: Act I. No. 8 Finale: “Zum Ziele führt dich diese Bahn” (3 Boys, Tamino)1:47
  908. 13Die Zauberflöte, K 620: Act I. No. 8 Finale: “Die Weisheitslehre dieser Knaben” (Tamino, Speaker, chorus)9:20
  909. 14Die Zauberflöte, K 620: Act I. No. 8 Finale: “Wie stark ist nicht dein Zauberton” (Tamino)3:17
  910. 15Die Zauberflöte, K 620: Act I. No. 8 Finale: “Schnelle Füße, rascher Mut” (Pamina, Papageno, Manostatos, slaves)3:39
  911. 16Die Zauberflöte, K 620: Act I. No. 8 Finale: “Es lebe Sarastro, Sarastro lebe!” (chorus, Papageno, Pamina, Sarastro)4:45
  912. 17Die Zauberflöte, K 620: Act I. No. 8 Finale: “Nun, stolzer Jüngling, nur hieher!” (Manostatos, Pamina, Tamino, Sarastro)2:16
  913. 18Die Zauberflöte, K 620: Act I. No. 8 Finale: “Wenn Tugend und Gerechtigkeit” (chorus)1:09
  914. 1Die Zauberflöte, K 620: Act II. No. 9 March of the Priests2:35
  915. 2Die Zauberflöte, K 620: Act II. No. 9 Dialogue: “Ihr in dem Weisheitstempel eingeweihten Diener” (Sarastro, Priests, Speaker)4:19
  916. 3Die Zauberflöte, K 620: Act II. No. 10 Aria & Chorus: “O Isis und Osiris” (Sarastro, chorus)3:23
  917. 4Die Zauberflöte, K 620: Act II. No. 10 Dialogue: “Eine schreckliche Nacht!” (Tamino, Papageno, Speaker, First Priest) / No. 11 Duet: “Bewahret euch vor Weibertücken” (First Priest, Speaker) / No. 11 Dialogue: “He, Lichter her!” (Papageno, Tamino)5:49
  918. 5Die Zauberflöte, K 620: Act II. No. 11 Dialogue: “Das ist ja wunderlich” (Papageno, Tamino) / No. 12 Quintet: “Wie? Wie? Wie? Ihr an diesem Schreckensort?” (3 Ladies, Papageno, Tamino, chorus, Speaker, First Priest) / No. 12 Dialogue: “Heil dir, Jüngling!” (3 Ladies, Papageno)5:37
  919. 6Die Zauberflöte, K 620: Act II. No. 12 Dialogue: “Ha, da find' ich ja die spröde Schöne!" (Manostatos) / No. 13 Aria: “Alles fühlt der Liebe Freuden” (Manostatos) / No. 13 Dialogue: “Mutter!” (Pamina, Queen of the Night)4:55
  920. 7Die Zauberflöte, K 620: Act II. No. 14 Aria: “Der Hölle Rache” (Queen of the Night) / No. 14 Dialogue: “Morden soll ich?” (Pamina, Manostatos, Sarastro)6:17
  921. 8Die Zauberflöte, K 620: Act II. No. 15 Aria: “In diesen heil'gen Hallen” (Sarastro) / No. 15 Dialogue: “Prinz, lebt wohl!” (Speaker, First Priest, Papageno, Tamino, old woman)8:08
  922. 9Die Zauberflöte, K 620: Act II. No. 16 Trio: “Seid uns zum zweiten Mal willkommen” (3 Boys) / No. 16 Dialogue: “Tamino, wollen wir nicht speisen?” (Papageno, Pamina)4:21
  923. 10Die Zauberflöte, K 620: Act II. No. 17 Aria: “Ach, ich fühl's” (Pamina) / No. 17 Dialogue: “Nicht wahr Tamino, ich kann auch schweigen” (Papageno)5:06
  924. 11Die Zauberflöte, K 620: Act II. No. 18 Chorus: “O Isis und Osiris, welche Wonne!” (Priests) / No. 18 Dialogue: “Prinz, dein Betragen war bis hieher männlich” (Sarastro, Pamina, Tamino)3:56
  925. 12Die Zauberflöte, K 620: Act II. No. 19 Trio: “Soll ich dich, Teurer, nicht mehr seh'n?” (Pamina, Sarastro, Tamino)3:32
  926. 13Die Zauberflöte, K 620: Act II. No. 19 Dialogue: “Tamino! Tamino!” (Papageno, Speaker) / No. 20 Aria: “Ein Mädchen oder Weibchen” (Papageno) / No. 20 Dialogue: “Da bin ich schon, mein Engel!” (old woman, Papageno, Speaker)9:21
  927. 14Die Zauberflöte, K 620: Act II. No. 21 Finale: “Bald prangt, den Morgen zu verkünden” (3 Boys, Pamina)7:09
  928. 15Die Zauberflöte, K 620: Act II. No. 21 Finale: “Der, welcher wandert diese Straße” (2 Men in Armour, Tamino, Pamina)5:11
  929. 16Die Zauberflöte, K 620: Act II. No. 21 Finale: “Tamino mein! O welch ein Glück!” (Pamina, Tamino, 2 Men in Armour, chorus)7:21
  930. 17Die Zauberflöte, K 620: Act II. No. 21 Finale: “Papagena! Papagena! Papagena!” (Papageno, 3 Boys)6:05
  931. 18Die Zauberflöte, K 620: Act II. No. 21 Finale: “Pa-Pa-Papagena! - Pa-Pa-Papageno!” (Papageno, Papagena)2:53
  932. 19Die Zauberflöte, K 620: Act II. No. 21 Finale: “Nur stille, stille, stille, stille!” (Manostatos, 3 Ladies, Queen of the Night) / No. 21 Finale: “Die Strahlen der Sonne” (Sarastro, chorus)4:49
  933. 20Die Zauberflöte, K 620: Curtain Calls and Credits4:55
  934. 1Opening6:25
  935. 2First Day of Recording: Concerto for Piano and Orchestra no. 17 in G major, K 453: I. Allegro20:19
  936. 3Second Day of Recording: Concerto for Piano and Orchestra no. 17 in G major, K 453: III. Allegretto - Finale. Presto6:55
  937. 4Third Day of Recording: Concerto for Piano and Orchestra no. 24 in C minor, K 591: I. Allegro / II. Larghetto10:20
  938. 5Last Day of Recording: Concerto for Piano and Orchestra no. 24 in C minor, K 591: III. Allegretto8:00
  939. 6Credits0:32
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出典: MusicBrainz / Cover Art Archive
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