Germany’s first woman conductor, 50 years on

日本語要約

ドイツ初の女性指揮者ロメリー・プフントのインタビュー記事。東ドイツ時代の指揮者フォーラムでのクルト・マズアやイゴール・マルケヴィチら巨匠との研鑽、タングルウッド音楽祭への招待に至る経緯を振り返る。当時を「スポーツのように楽しんでいた」と語る彼女のキャリアは、冷戦下の東ドイツから国際的な舞台へと広がった。ドレスデンでピアノと指揮を学んだ彼女は、ジュネーブ国際音楽コンクールでの入賞など、女性指揮者のパイオニアとして道を切り拓いてきた。本記事は、彼女の半世紀にわたる音楽活動の軌跡を辿る記念インタビューである。

全文（日本語）

原文（抜粋）

From a jubilee interview with Romely Pfund: ‘In East Germany, there was the Conductors’ Forum with a permanent jury chaired by Kurt Masur and other conductors as guests. With Markevitch—I was 20 or 21—I listened intently to how he structured the music; he was a great master. Eötvös was a wonderful guy, and we were immersed in this kind of music; we were even allowed to conduct the orchestra. And then there was Masur, who was like a father figure. I learned a great deal, and at the end, there was a final concert. I always enjoyed all of it immensely—these courses, and the competitions too. Thankfully, I was always completely relaxed because, back then, I didn’t take it all that seriously from a purely musical perspective. Of course, I didn’t think that way at the t…

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